Ferguson, the astronomer, was another of Hannah's early acquaintances. From him she gained a knowledge of science; whilst he, prompted by his high estimate of her abilities, took counsel with her respecting the style of his literary productions.
Her intellectual tastes were encouraged and directed, to a large extent, by a somewhat notable Bristol man, of the name of Peach. Although a draper by trade, his cultivated mind and excellent literary judgment were of distinct service to his young friend. He was entrusted by Hume with the revision of the proof-sheets of the famous History of England.
A humorous story is related of the interest which Hannah's conversation created in the minds of her elders. When laid aside by illness she was attended by a noted physician, Dr. Woodward, who one day became so absorbed in his patient's intellectual discourse that he forgot to make the usual inquiries about her health. "Bless me!" he exclaimed, as he went downstairs, "I forgot to ask the girl how she was!" He returned to the bedside, and rather awkwardly put the formal question to the amused invalid, "How are you to-day, my poor child?"
Hannah's training in the highest principles of morality and in religion, begun by her devoted parents, received the careful attention of her eldest sister as long as she remained under her care; when out of her teens, she commenced the study of theology under the guidance of Dr. Stonhouse, a clergyman of Bristol.
At the age of seventeen, finding that the young people in her circle were in the habit of learning passages from plays which frequently savoured of unhealthy sentiment, she conceived the idea of providing a harmless substitute, and thereupon wrote a pastoral drama, _The Search after Happiness_. A little later she produced another drama, _The Inflexible Captive_, founded on Metastasio's opera of _Regulus_.
Encouraged in various ways by numerous friends, on whose judgment she could safely rely, she appears to have taken pains to qualify herself for a literary career. She studied Latin, Italian, and Spanish, translated from the best compositions, wrote pieces in imitation of celebrated authors, and thus tried to cultivate her mind, and to form the groundwork of a good and pleasing style.