To this same hemlock grove I was in the habit, in those days, of going now and then to listen to the evening hymn of the veery, or Wilson thrush. Here, if nowhere else, might be heard music fit to be called sacred. Nor did it seem a disadvantage, but rather the contrary, when, as sometimes happened, I was compelled to take my seat in the edge of the wood, and wait quietly, in the gathering darkness, for vespers to begin. The veery's mood is not so lofty as the hermit's, nor is his music to be compared for brilliancy and fullness with that of the wood thrush; but, more than any other bird-song known to me, the veery's has, if I may say so, the accent of sanctity. Nothing is here of self-consciousness; nothing of earthly pride or passion. If we chance to overhear it and laud the singer, that is our affair. Simple-hearted worshiper that he is, he has never dreamed of winning praise for himself by the excellent manner in which he praises his Creator,--an absence of thrift, which is very becoming in thrushes, though, I suppose, it is hardly to be looked for in human choirs.

And yet, for all the unstudied ease and simplicity of the veery's strain, he is a great master of _technique_. In his own artless way he does what I have never heard any other bird attempt: he gives to his melody all the force of harmony. How this unique and curious effect, this vocal double-stopping, as a violinist might term it, is produced, is not certainly known; but it would seem that it must be by an _arpeggio_, struck with such consummate quickness and precision that the ear is unable to follow it, and is conscious of nothing but the resultant chord. At any rate, the thing itself is indisputable, and has often been commented on.

Birds in the Bush — Part 56

Moreover, this is only half the veery's technical proficiency. Once in a while, at least, he will favor you with a delightful feat of ventriloquism; beginning to sing in single voice, as usual, and anon, without any noticeable increase in the loudness of the tones, diffusing the music throughout the wood, as if there were a bird in every tree, all singing together in the strictest time. I am not sure that all members of the species possess this power, and I have never seen the performance alluded to in print; but I have heard it when the illusion was complete, and the effect most beautiful.

Birds in the Bush — Part 56