But I mustn't paint the new mistress of Casa Grande all in dark colors. She has her good points, and a mind of her own, and a thought or two of her own. Dinky-Dunk was asking her about Egypt. That country, she retorted, was too dead for her. She couldn't wipe out of her heart the memory of what man had suffered along the banks of the Nile, during the last four thousand years, what millions of men had suffered there because of religion and war and caste.

"I could never be happy in a country of dead races and dead creeds and dead cities," protested Lady Alicia, with more emotion than I had expected. "And those are the things that always stare me in the face out there."

The Prairie Mother — Part 36

This brought the talk around to the New World.

The Prairie Mother — Part 36

"I rather fancy that a climate like yours up here," she coolly observed, "would make luxuries of furniture and dress, and convert what should be the accidents of life into essentials. You will always have to fight against nature, you know, and that makes man attach more importance to the quest of comfort. But when he lives in the tropics, in a surrounding that leaves him with few desires, he has time to sit down and think about his soul. That's why you can never have a great musician or a great poet in your land of blizzards, Cousin Dooncan. You are all kept too busy laying up nuts for the winter. You can't afford to turn gipsy and go off star-gazing."

The Prairie Mother — Part 36

"You can if you join the I. W. W.," I retorted. But the allusion was lost on her.

"I can't imagine a Shelley or a Theocritus up here on your prairie," she went on, "or a Marcus Aurelius in the real-estate business in Winnipeg."

Dinky-Dunk was able to smile at this, though I wasn't.

"But we have the glory of doing things," I contended, "and somebody, I believe, has summed up your Marcus Aurelius by saying he left behind him a couple of beautiful books, an execrable son, and a decaying nation. And we don't intend to decay! We don't live for the moment, it's true. But we live for To-morrow. We write epics in railway lines, and instead of working out sonnets we build new cities, and instead of sitting down under a palm-tree and twiddling our thumbs we turn a wilderness into a new nation, and grow grain and give bread to the hungry world where the gipsies don't seem quite able to make both ends meet!"