The concluding words of this ritual are a command for the "diviners of the four countries to leave and go away to the great river-way, and carry away the offenses by purification." Thus divination was honored, as moving in the will and way of the gods; but incantation is mentioned among the "earthly offenses." Probably these evil incantations refer to evil-minded witchcraft and invoking calamity on others.

This great ritual ceremony of purification, being one of the most solemn formal expressions of the Shinto cult, calls for the following remarks:

The Shinto Cult — Part 21

(1) The central idea is purification from certain forms of evil, or certain kinds of offenses.

The Shinto Cult — Part 21

(2) The offenses are conceived as either willfully committed, or committed inadvertently.

The Shinto Cult — Part 21

(3) They are also spoken of as heavenly and earthly. This distinction seems to us quite arbitrary and unnatural, but it probably had a mythical origin and the offenses called heavenly are mainly such as involve distress for an agricultural community. They are sins against the _land_ of the gods, while the earthly offenses are mainly matters of personal defilement. In all cases it is conspicuous that the Shinto concept of offenses which need purging away is that of outward physical pollution and damage. They are all offenses committed against the interests of the community and likely to bring some kind of calamity upon the people.

(4) We should also remark that while, according to the ritual of the Great Purification, it is expected that from that day forwards "no offense which is called offense" will occur again in the four quarters of the whole region under heaven, the same ceremony of purification is repeated every six months--year in and year out.

(5) These facts serve to show a moral and religious basis for the Japanese love of cleanliness and the scrupulous care with which these people of "the luxuriant central land of the ears of fresh rice" study to keep their bodies, their houses, their temples, and their whole domain free from all manner of physical impurity.

=18. Other Ritual Services.= Other rituals for other occasions and purposes furnish nothing of a different character or of exceptional importance that we need here give further attention to their various contents and suggestions. There are, in the voluminous _Yengishiki_, rituals for the service of the gods of Kasuga, for the service of the goddess of food, and of the gods of the wind, and for the service of particular temples. Some of these services are occasions of grand ceremonial display. The place, the day, the hour, and all the details of the service are arranged beforehand. The procession of those who take part is ordered with extreme precision and made in every way magnificent. Various orders of officials move along in separate ranks. The priestess, accompanied by many mantled attendants, is drawn in a car, and on either side four men in scarlet coats carry a silk umbrella and a huge, long-handled fan. The female attendants and servants of the priestess, each a lady of rank, follow in seven carriages. Chests filled with sacrificial utensils and food offerings, the messenger of the Mikado and his attendants of rank, have their assigned places in the procession. Upon arriving at the temple enclosure, the priestess alights from her car or palanquin, passes into the courtyard behind curtains so held by her attendants as to hide her from the gaze of the crowd, enters her private room and changes her traveling dress for the sacrificial robes. Meantime the Mikado's presents and all the other offerings are duly placed on the tables and in the various chapels prepared for them and the high officers of State take their seats within the temple enclosure. All the prescribed forms are observed with scrupulous care, and the ritual is read. In many services harpists, flute-players, singers, and dancers perform their several tasks. At the conclusion of the services the company clap their hands and then separate. The priestess changes her robes again for her traveling dress, and returns to her lodging in like stately procession as she came to the shrine.