"I can readily believe it, however," said Sir Walter. "You must remember that this is a part of their education. I have learned at Abbotsford to discriminate between the hoof-marks of all our neighbors' horses, and I taught the same thing to Mrs. Lockhart. It is, after all, not so difficult as you might think. Every horse's foot has some peculiarity, either of size, shoeing, or manner of striking the earth. I was once walking with Southey--a mile or more from home--across the fields. At last we came to a bridle-path leading towards Abbotsford, and here I noticed fresh hoof-prints. Of this I said nothing; but pausing, and looking up with an inspired expression, I said to Southey,--'I have a gift of second sight: we shall have a stranger to dinner!'

"'And what may be his name?' was the reply.

Peter Parley's Own Story — Part 112

"'Ah, it is some relation of yours,' he said; 'you have invited him, and you would pass off, as an example of your Scottish gift of prophecy, a matter previously agreed upon!'

Peter Parley's Own Story — Part 112

"'Not at all,' said I. 'I assure you that, till this moment, I never thought of such a thing.'

Peter Parley's Own Story — Part 112

"When we got home, I was told that Mr. Scott, a farmer living some three or four miles distant, and a relative of mine, was waiting to see me. Southey looked astounded. The man remained to dinner, and he was asked if he had given any intimation of his coming. He replied in the negative: that, indeed, he had no idea of visiting Abbotsford when he left home. After enjoying Southey's wonder for some time, I told him that I saw the tracks of Mr. Scott's horse in the bridle-path, and inferring that he was going to Abbotsford, easily foresaw that we should have him to dinner."

Presently the conversation turned upon Burns. Scott knew him well. He said that Tam O'Shanter was written to please a stonecutter, who had executed a monument for the poet's father, on condition that he should write him a witch-story in verse. He stated that Burns was accustomed in his correspondence, more especially with ladies, to write an elaborate letter, and then send a copy of it to several persons; modifying local and personal passages to suit each individual. He said that of some of these letters he had three or four copies, thus addressed to different persons, and all in the poet's handwriting.