The Merseburg charms or Merseburg incantations () are two medieval magic spells, charms or incantations, written in Old High German. They are the only known examples of Germanic pagan belief preserved in the language. They were discovered in 1841 by Georg Waitz, who found them in a theological manuscript from Fulda, written in the 9th century, although there remains some speculation about the date of the charms themselves. The manuscript (Cod. 136 f. 85a) is stored in the library of the cathedral chapter of Merseburg, hence the name.
History
The Merseburg charms are the only known surviving relics of pre-Christian, pagan poetry in Old High German literature.
The charms were recorded in the 10th century by a cleric, possibly in the abbey of Fulda, on a blank page of a liturgical book, which later passed to the library at Merseburg. The charms have thus been transmitted in Caroline minuscule on the flyleaf of a Latin sacramentary.
The spells became famous in modern times through the appreciation of Jacob Grimm, who wrote as follows: Lying between Leipzig, Halle and Jena, the extensive library of the Cathedral Chapter of Merseburg has often been visited and made use of by scholars. All have passed over a codex which, if they chanced to take it up, appeared to offer only well-known church items, but which now, valued according to its entire content, offers a treasure such that the most famous libraries have nothing to compare with it... The spells were published later by Jacob Grimm in On two newly-discovered poems from the German Heathen Period (1842).
The manuscript of the Merseburg charms was on display until November 2004 as part of the exhibition "Between Cathedral and World - 1000 years of the Chapter of Merseburg," at Merseburg cathedral. They were previously exhibited in 1939.
The texts
Each charm is divided into two parts: a preamble telling the story of a mythological event; and the actual spell in the form of a magic analogy (just as it was before... so shall it also be now...). In their verse form, the spells are of a transitional type; the lines show not only traditional alliteration but also the end-rhymes introduced in the Christian verse of the 9th century.
First Merseburg Charm
The first spell is a "Lösesegen" (blessing of release), describing how a number of "Idisen" freed from their shackles warriors caught during battle. The last two lines contain the magic words "Leap forth from the fetters, escape from the foes" that are intended to release the warriors.
Second Merseburg Charm
Phol is with Wodan when Baldur's horse dislocates its foot while he is riding through the forest (holza). Wodan intones the incantation: "Bone to bone, blood to blood, limb to limb, as if they were mended".
Figures that can be clearly identified within Continental Germanic mythology are "Uuôdan" (Wodan) and "Frîia" (Frija). Depictions found on Migration Period Germanic bracteates are often viewed as Wodan (Odin) healing a horse.
Comparing Norse mythology, Wodan is well-attested as the cognate of Odin. Frija is the cognate of Frigg. Balder is Norse Baldr. Phol is possibly the masculine form of Uolla, and, as Grimm suggested, the context makes it clear that it is another name for Balder. Uolla is cognate with Old Norse Fulla, a goddess there also associated with Frigg. Sunna (the personified sun) is in Norse mythology Sól. Sinthgunt is otherwise unattested.
Parallels
The First Merseburg Charm (loosening charm)'s similarity to the anecdote in Bede's Hist. Eccles., IV, 22 () has been noted by Jacob Grimm. In this Christianized example, it is the singing of the mass, rather than the chanting of the charm, that effects the release of a comrade (in this case a brother). The unshackled man is asked "whether he had any spells about him, as are spoken of in fabulous stories", which curiously has been translated as "loosening rune (about him)" () in the Anglo-Saxon translation of Bede, as has been pointed out by Sophus Bugge. Bugge makes this reference in his edition of the Eddaic poem Grógaldr (1867), in an attempt to justify his emending the phrase "Leifnir's fire (?)" () into "loosening charm" () in the context of one of the magic charms that Gróa is teaching to her son. But this is an aggressive emendation of the original text, and its validity as well as any suggestion to its ties to the Merseburg charm is subject to skepticism.