He was not handsome, he was not heroic in form, but there was such dash and go, such sincerity and naturalness in all his work, that whether he was love-making or fighting, singing or dying, he convinced you he was the character's self, whether that character was the demented victim of the _Bastille_, young _Rover_ in "Wild Oats," or that most gallant gentleman _Mercutio_, in which no greater ever strode than that of Edwin Adams. His buoyancy of spirit, his unconquerable gayety made it seem but natural his passion for jesting should go with him to the very grave. Many a fine _Mercutio_ gives:

with a resentful bitterness that implies blame to _Romeo_ for his "taking off," which would be a most cruel legacy of grief and remorse to leave to his young friend--but Adams was that brave _Mercutio_:

Life on the Stage — Part 138

"That gallant spirit that aspired the clouds, Which too untimely here did scorn the earth."

Life on the Stage — Part 138

and whose last quips, coming faintly across paling lips, expressed still good-natured fun, and so:

Life on the Stage — Part 138

His grace of movement and his superb voice were his greatest gifts. Most stars had one rather short play which they reserved for Saturday nights, that they might be able to catch their night train _en route_ for the next engagement; so it happened that Mr. Adams, having bravely held temptation from him during the first five nights, generally yielded to the endearments of his friends by the sixth, and was most anyone but himself when he came to dress for the performance of a play most suggestively named: "The Drunkard." It was a painful and a humiliating sight to see him wavering uncertainly in the entrance. All brightness, intelligence, and high endeavor extinguished by liquor's murky fog. His apologies were humble and evidently sincere, but the sad memory was one not to be forgotten.

I had just married, and we were in San Francisco. I was rehearsing for my engagement there. The papers said Mr. Adams had arrived from Australia and had been carried on a stretcher to a hotel, where, with his devoted wife by his side, he lay dying. A big lump rose in my throat, tears filled my eyes. I asked my husband, who had greatly admired the actor, and who was glad to pay him any courtesy or service possible, to call, leave cards, and if he saw Mrs. Adams, which was improbable, to try to coax her out for a drive, if but for half an hour, and to deliver a message of remembrance and sympathy from me to her husband. To his surprise, he was admitted by the dying man's desire to his room, where the worn, weary, self-contained, ever gently smiling wife sat and, like an automaton, fanned hour by hour, softly, steadily fanned breath between those parched lips, that whispered a gracious message of congratulation and thanks.