Visits to London made Miss Brontë acquainted with many of the literary celebrities of the day, including Thackeray and Miss Martineau. In Yorkshire her success caused great excitement. She tells herself how "Martha came in yesterday puffing and blowing, and much excited. 'Please, ma'am, you've been and written two books--the grandest books that ever was seen. They are going to have a meeting at the Mechanics' Institute to settle about ordering them.' When they got the volumes at the Mechanics' Institute, all the members wanted them. They cast lots, and whoever got a volume was allowed to keep it two days, and was to be fined a shilling per diem for longer detention."
In the spring of 1850, Charlotte Brontë paid another visit to London, and later to Scotland, where she found Edinburgh "compared to London like a vivid page of history compared to a dull treatise on political economy; as a lyric, brief, bright, clean, and vital as a flash of lightning, compared to a great rumbling, rambling, heavy epic."
She was in London again in 1851, and was dismayed by the attempts to lionise her. "Villette," written in a constant fight against ill-health, was published in 1853, and was received with one burst of acclamation. This brought to a close the publication of Charlotte's life-time.
The personal interest of the two last years of Charlotte Brontë's life centres on her relations with her father's curate, the Rev. A.B. Nicholls. In 1853, he asked her hand in marriage. He was the fourth man who had ventured on the same proposal. Her father disapproved, and Mr. Nicholls resigned his curacy. Next year, however, her father relented. Mr. Nicholls again took up the curacy, and the marriage was celebrated on June 29, 1854. Henceforward the doors of home are closed upon her married life.
On March 31, 1855, she died before she had attained to motherhood, her last recorded words to her husband being: "We have been so happy." Her life appeals to that large and solemn public who know how to admire generously extraordinary genius, and how to reverence all noble virtue.
Gibbon's autobiography was published in 1796, two years after his death, by his friend, Lord Sheffield, under the title "Miscellaneous Works of Edward Gibbon, Esq., with Memoirs of His Life and Writings, Composed by Himself." "After completing his history," says Mr. Birrell, "Gibbon had but one thing left him to do in order to discharge his duty to the universe. He had written a magnificent history of the Roman Empire; it remained to write the history of the historian. It is a most studied performance, and may be boldly pronounced perfect. It is our best, and best known, autobiography." That the writing was studied is shown by the fact that six different sketches were left in Gibbon's handwriting, and from all these the published memoirs were selected and put together. The memoir was briefly completed by Lord Sheffield. Bagehot described the book as "the most imposing of domestic narratives." Truly, it was impossible for Gibbon to doff his dignity, but through the cadenced formality of his style the reader can detect a happy candour, careful sincerity, complacent temper, and a loyalty to friendship that recommend the man as truly as the writer. (See also HISTORY.)