We have no further information until, seven years afterwards, we reach the _Journal to Stella_, and find ourselves overhearing the "little language." The first editors scrupled at a full reproduction of what might strike an unfriendly reader as almost drivelling; and Mr. Forster reprinted for the first time the omitted parts of the still accessible letters. The little language is a continuation of Stella's infantile prattle. Certain letters are a cipher for pet names which may be conjectured. Swift calls himself Pdfr, or Podefar, meaning, as Mr. Forster guesses, "Poor, dear Foolish Rogue." Stella, or rather Esther Johnson, is Ppt, say "Poppet." MD, "my dear," means Stella, and sometimes includes Mrs. Dingley. FW means "farewell," or "foolish wenches;" Lele is taken by Mr. Forster to mean "truly" or "lazy," or "there, there," or to have "other meanings not wholly discoverable." The phrases come in generally by way of leave-taking. "So I got into bed," he says, "to write to MD, MD, for we must always write to MD, MD, MD, awake or asleep;" and he ends, "Go to bed. Help pdfr. Rove pdfr, MD, MD. Nite darling rogues." Here is another scrap, "I assure oo it im vely late now; but zis goes to-morrow; and I must have time to converse with own deerichar MD. Nite de deer Sollahs." One more leave-taking may be enough. "Farewell, dearest hearts and souls, MD. Farewell, MD, MD, MD. FW, FW, FW. ME, ME. Lele, Lele, Lele, Sollahs, Lele."

The reference to the Golden Farmer already noted is in the words, "I warrant oo don't remember the Golden Farmer neither, Figgarkick Solly," and I will venture to a guess at what Mr. Forster pronounces to be inexplicable.[42] May not Solly be the same as "Sollah," generally interpreted by the editors as "sirrah;" and "Figgarkick" possibly be the same as Pilgarlick, a phrase which he elsewhere applies to Stella,[43] and which the dictionaries say means "poor, deserted creature"?

Swift — Part 59

Swift says that as he writes his language he "makes up his mouth just as if he was speaking it." It fits the affectionate caresses in which he is always indulging. Nothing, indeed, can be more charming than the playful little prattle which occasionally interrupts the gossip and the sharp utterances of hope or resentment. In the snatches of leisure, late at night or before he has got up in the morning, he delights in an imaginary chat; for a few minutes of little fondling talk help him to forget his worries, and anticipate the happiness of reunion. He caresses her letters, as he cannot touch her hand. "And now let us come and see what this saucy, dear letter of MD says. Come out, letter, come out from between the sheets; here it is underneath, and it will not come out. Come out again, I says; so there. Here it is. What says Pdf to me, pray? says it. Come and let me answer for you to your ladies. Hold up your head then like a good letter." And so he begins a little talk, and prays that they may be never separated again for ten days, whilst he lives. Then he follows their movements in Dublin in passages which give some lively little pictures of their old habits. "And where will you go to-day? for I cannot be with you for the ladies." [He is off sight-seeing to the Tower and Bedlam with Lady Kerry and a friend.] "It is a rainy, ugly day; I would have you send for Wales, and go to the dean's; but do not play small games when you lose. You will be ruined by Manilio, Basto, the queen, and two small trumps in red. I confess it is a good hand against the player. But, then, there are Spadilio, Punto, the king, strong trumps against you, which with one rump more are three tricks ten ace; for suppose you play your Manilio--O, silly, how I prate and cannot get away from MD in a morning. Go, get you gone, dear naughty girls, and let me rise." He delights again in turning to account his queer talent for making impromptu proverbs,--

Swift — Part 59