"Them people get a queer lot of stories to read," Uncle William said to console his nephew, disappointed because he had not received a letter of acceptance from the editor by Saturday morning, four days after he had posted the manuscript. "It'll mebbe take them a week or two to reach yours!..."
"They could have sent a postcard to say they'd got it all right," John replied ruefully. "That's the civil thing to do, anyway!"
He remembered that the Benson Shakespearean Company was still in Belfast and that _Romeo and Juliet_ was to be performed in the afternoon, and _Julius Caesar_ in the evening; and he went up to the city by an earlier train than usual so that he might be certain of getting to the theatre in time to secure an end seat near the front of the pit. He had proposed to his Uncle Matthew that he should go to Belfast, too, to see the plays, but Uncle Matthew shook his head and murmured that he was not feeling well. He had been listless lately, they had noticed, and Uncle William, regarding him one afternoon as he stood at the door of the shop, had turned to John and said that he would be glad when the summer weather came in again, so that Uncle Matthew could go down to the shore and lie in the sun.
"He's not a robust man, your Uncle Matthew!" he said. "I don't think he tholes the winter well!"
"Och, he's mebbe only a wee bit out of sorts," John answered. "I wish, he'd come to Belfast with me!..."
"He'll never go next or near that place again," Uncle William replied. "He's never been there since that affair!..."
"You'd wonder at a man letting a thing of that sort affect his mind the way Uncle Matthew let it affect his," John murmured.
"When a man believes in a thing as deeply as he believed in the oul' Queen," said Uncle William, "it's a terrible shock to him to find out that other people doesn't believe in it half as much as he does ... or mebbe doesn't believe in it at all!"
John was the first person to reach the door of the pit that afternoon. The morning had been rough and blusterous, and although the streets were dry, the cold wind blowing down from the hills made people reluctant to stand outside a theatre door. John, who was hardy and indifferent to cold, stood inside the shelter of the door and read the copy of _Romeo and Juliet_ which he had borrowed from his Uncle Matthew; and while he read the play he remembered his uncle's criticism of the story he had written for _Blackwood's Magazine_: that it ought to have had a woman in it! This play was full of love. Romeo, sighing and groaning because his lady will not look kindly upon him, runs from his friends who "jest at scars that never felt a wound" ... and finds Juliet! In _The Merchant of Venice_, Bassanio and Portia, Lorenzo and Jessica, Gratiano and Nerissa had all made love. Even young Gobbo, in a coarse, philandering way, had made love, too! In all the books he had read, women were prominent. Queer and distressing things happened to the heroes; they were constantly in trouble and under suspicion of wrong-doing; poverty and persecution were common to them; frequently, they were misunderstood; but in the end, they had their consolations and their rights and rewards. Love was the great predominating element in all these stories, the support and inspiration and reward of the troubled and tortured hero; and Woman was the symbol of victory, of achievement. At the end of every journey, at the finish of every fight, there was a Woman. Uncle Matthew had spoken wisely, John thought, when he said that you cannot leave women out of your schemes and plans.