My examination of the evidence will, I hope, have made it clear why I hesitate to endorse these conclusions in their entirety (as I did for many years), interesting as they are. I rather incline to believe that the whole Mamurius-legend grew out of the Carmen Saliare, and that we may either have here one of those comparatively rare examples of later ritual growing itself out of myth, or a point of ancient ritual, such as the use of skins—perhaps those of victims—misinterpreted and possibly altered under the influence of the myth. As to Lydus’ statement, it is better to suspend our judgement; he may, for all we know, have confused some foreign custom, or that of some other Italian town where there were Salii, with the ritual of a Roman priesthood[124]. In any case, his account is too much open to question to bear the weight of conjecture that has been piled upon it.
FERIAE[125] ANNAE PERENNAE VIA FLAM[INIA] AD LAPIDEM PRIM[UM]. (VAT.)
This is a survival of an old popular festival, as is clearly seen from Ovid’s account of it; but the absence of any mention of it in the rustic calendars or in those of Philocalus and Silvius leads us to suppose that it had died out in the early Empire. This may be accounted for by the fact that the people came to be more and more attracted by spectacles and games; and also by the ever-increasing cosmopolitanism of the city populace, which would be continually losing interest in old Roman customs which it could not understand.
On this day, Ovid tells us[126], the ‘plebs’ streamed out to the ‘festum geniale’ of Anna Perenna, and taking up a position in the Campus Martius, not far from the Tiber[127], and lying about on the grass in pairs of men and women, passed the day in revelry and drinking[128]. Some lay in the open; some pitched tents and some constructed rude huts of stakes and branches, stretching their togas over them for shelter. As they drank they prayed for as many years of life as they can swallow cups of wine; meanwhile singing snatches of song with much gesticulation and dancing. The result of these performances was naturally that they returned to the city in a state of intoxication. Ovid tells us that he had seen this spectacle himself[129].