+Beauty is the outward and visible sign of inward perfection, completeness, and harmony.+--In an object of beauty there is neither too little nor too much; nothing is out of place; nothing is without its contribution to the perfect whole. Each part is at once means and end to every other. Hence its perfect symmetry; its regular proportions; its strict conformity to law.
The mind of man can find rest and satisfaction in nothing short of perfection; and consequently our hearts are never satisfied until they behold beauty, which is perfection's crown and seal. Without it one of the deepest and divinest powers of our nature remains dwarfed, stifled, and repressed.
+How to cultivate the love of beauty.+--It is our duty to see to it that everything under our control is as beautiful as we can make it. The rooms we live in; the desk at which we work; the clothes we wear; the house we build; the pictures on our walls; the garden and grounds in which we walk and work; all must have some form or other. That form must be either beautiful or hideous; attractive or repulsive. It is our duty to pay attention to these things; to spend thought and labor, and such money as we can afford upon them, in order to make them minister to our delight. Not in staring at great works of art which we have not yet learned to appreciate, but by attention to the beauty or ugliness of the familiar objects that we have about us and dwell with from day to day, we shall best cultivate that love of beauty which will ultimately make intelligible to us the true significance of the masterpieces of art. Here as everywhere, to him that hath shall more be given. We must serve beauty humbly and faithfully in the little things of daily life, if we will enjoy her treasures in the great galleries of the world.
+Beauty is a jealous mistress.+--If we trifle with her; if we fall in love with pretentious imitations and elaborate ornamentations which have no beauty in them, but are simply gotten up to sell; then the true and real beauty will never again suffer us to see her face. She will leave us to our idols: and our power to appreciate and admire true beauty will die out.
Fidelity to beauty requires that we have no more things than we can either use in our work, or enjoy in our rest. And these things that we do have must be either perfectly plain; or else the ornamentation about them must be something that expresses a genuine admiration and affection of our hearts. A farmer's kitchen is generally a much more attractive place than his parlor; just because this law of simplicity is perfectly expressed in the one, and flagrantly violated in the other. The study of a scholar, the office of the lawyer and the business man, is not infrequently a more beautiful place, one in which a man feels more at home, than his costly drawing room. What sort of things we shall have, and how many, cannot be determined for us by any general rule; still less by aping somebody else. In our housekeeping, as in everything else, we should begin with the few things that are absolutely essential; and then add decoration and ornament only so fast as we can find the means of gratifying cherished longings for forms of beauty which we have learned to admire and love. "Simplicity of life," says William Morris, "even the barest, is not a misery, but the very foundation of refinement: a sanded floor and whitewashed walls, and the green trees, and flowery meads, and living waters outside. If you cannot learn to love real art, at least learn to hate sham art and reject it. If the real thing is not to be had, learn to do without it. If you want a golden rule that will fit everybody, this is it: Have nothing in your houses that you do not know to be useful, or believe to be beautiful."