On entering, the impression produced is one of exquisite proportions, colour, and decoration, but perhaps a little too much of all this and not so much of that indescribable feeling which some noble churches so eminently produce. It is in fact a work of faultless art rather than religious feeling, though so noble a work of art cannot help inspiring great religious feeling. The whole design is extremely simple and as free from superfluous decoration as the west front is crowded with it. Its triforium appeared to be poor and insignificant in the extreme, after the magnificent triforia of Noyon and the other early churches with their ampler open spaces and fine groinings. The treatment of the west wall on the inside is very curious. It is divided into a great number of trefoiled niches with very little in the way of moulding, each niche having a figure; and the background being coloured white throws out these figures remarkably. Borders, spandrels, etc., are filled in profusely with much delicately carved and very flat foliage, all most accurately copied from natural forms. In the north transept is a curious wooden clock-case of the fourteenth century.... We left Rheims at 6 o’clock in the evening by railway for Meaux where we arrived to sleep at 11.
As is my wont, I was very early at the cathedral this morning. The scale is not large, and in particular the nave is singularly short, only three bays east of the towers. One tower only is completed, and that in a flamboyant style. The church is very open inside, having two aisles, and chapels on each side of the nave and a good arrangement of chapels, etc., around the choir. The great beauty of the interior is its generally fine style--very early third-pointed--the beauty of the triforia, and the particularly fine interior of the transepts. I managed to get some sketches to show its general character before we left, which was at 11 A.M. for Paris, and there seemed to be no old buildings of any interest in Meaux, though I saw one old pile with corner turrets near the cathedral.
We reached Paris at 12.30 having noticed a fine-looking church on our way, at the station of Lagny, which well deserves a visit....
Wrote letters and then to Notre Dame.... A fee gave me admittance to the new sacristy and small cloister. The detail of this is all very good, save the doorways; and the glass, which is a _grisaille_ with subjects boldly drawn on glass of very pale tincture but thick in texture, was very good indeed. The encaustic tiles used here are very inferior to ours.... On our way we just looked at the S. Chapelle, the new turret on which appears to me to be most unsatisfactory.