Pretty good, this, for the Secretary to the Admiralty! We feel ourselves mighty superior fellows when we read confessions like this, don't we?
"My wife being dressed this day in fair hair, did make me so mad, that I spoke not one word to her, though I was ready to burst with anger ... in my way home discovered my trouble to my wife, swearing several times, which I pray God forgive me for, and bending my fist, that I would not endure it. She, poor wretch, was surprised with it, and made me no answer all the way home; but there we parted, and I to the office late, and then home, and without supper to bed, vexed ... up (next day) and by-and-by down comes my wife ... she promising to wear white locks no more in my sight, which I, like a severe fool, thinking not enough, begun to except against, and made her fly out to very high terms and cry, and in her heat, told me of (my) keeping company with Mrs Knipp (the actress), saying, that if I would never see her more--of whom she hath more reason to suspect than I had heretofore of Pembleton--she would never wear white locks more. This vexed me ... but to think never to see this woman--at least, to have her here more; and so all very good friends as ever."
"'And so to bed,' writes Mr Secretary Pepys a hundred times in his diary, and we may be sure that each time he joined Mrs Pepys beneath the coverlet he felt that the moment which marked the end of his wonderful day was one deserving careful record." So writes "W. N. P. Barbellion," the only modern diarist possessed in any degree of Pepys' complete self-candour, and, it is worthy of notice, the passage occurs in a book called _Enjoying Life_.
Because he always wrote prose like an artist Walter Savage Landor is worthy to be read at all times and in all moods.
"And through the trumpet of a child of Rome Rang the pure music of the flutes of Greece."
We all know what Swinburne thought about him: the trouble has been that so few people have taken any pains to go further and rediscover this great, imaginative artist for themselves. He is one of those unfortunates whose work we agree to take as read. If we only had a half his feeling for the value and weight of words the English tongue would be ten times richer than it is to-day, richer in harmony, richer in preciseness, richer in simplicity. He had a very definite sense of a writer's duty: "I hate false words, and seek with care, difficulty and moroseness those that fit the thing." Surely when we find a man with so wide a range of thought, so filled with imagination, so much in love with heroism, beauty and freedom, with a prose style that is, of its kind, unrivalled, it is incumbent upon us to sink our prejudice against the classical and do the little extra work which is essential to a true appreciation of that salutary, clear-cut, highly disciplined art. His appeal is to the few who can enjoy the best literature for itself, but there is no reason why this circle should not be far wider than it is.