"It is nothing, Mrs. Thompson," he said, "and should you hear the firing again, do not be alarmed. Don't be frightened."

So the firing was frequent, and though it played pitifully with the old housekeeper's nerves and shook her seventy-year-old bones considerably, she quietly submitted to it and "hoped it was all right."

The Strand Magazine, Volume V, Issue 30, June 1893 — Part 82

I knew Godfrey Huntingdon well. He often chatted over his pictures with me. As a medical man and a student somewhat beyond the range of physic and prescriptions, the pros and cons of an idea to be eventually carried to the canvas gave rise to many interesting and discussable points. I liked the man--he was so frank and true and positively simple in his unassuming manner. Poor fellow! He never dreamt for a moment that he was a genius, but what he did not know the public were quick to recognise. Every picture from his brush was watched and waited for--a canvas from him meant a vivid, striking, often sensational episode, which seemed to live. I have some of his work in my dining-room now. I often look at his figures. They are more human than anything I have seen by any other modern painter. They seem possessed of breath and beating hearts of their own, with tongues that want to speak, and eyes that reveal a thinking brain. The trees in his landscapes appear to be gently shaken by the breeze from across the moorland, the clouds only need touching by the breath of the firmament to lazily move across the face of the blue sky. He was indeed a genius.

The Strand Magazine, Volume V, Issue 30, June 1893 — Part 82

It was always an open question in the minds of the public and the judgment of the critics as to who excelled the other--Godfrey Huntingdon or Wilfred Colensoe. They both belonged to the same school of ideas. Their works were equally impressive, their figure and portrait painting particularly so, and the judges said it would be a life-long race between them for supremacy with the brush. Huntingdon's sad death was a terrible blow to the artistic world. I went to his funeral.

The Strand Magazine, Volume V, Issue 30, June 1893 — Part 82

He had not forgotten me. He left me all his studies. There were several hundreds of them. Many were familiar to me, for he had made them whilst we were smoking a pipe together, as I pointed out to him the necessary laws of science he must needs regard in order to insure accuracy in his work. The studies made quite a number of huge bundles, and in the evening I would delight in sorting them through. It was a long task, for I found something to admire and think over in every single one of them.