When it became known among that portion of the mercantile world of which Ben and Johnny were members that Mopsey Dowd, the pea-nut merchant of Fulton Ferry, had connected himself with the theatrical enterprise about which so many comments had been made, the matter put on an entirely different aspect, and it was at once shrewdly guessed that he had put in the greater portion of the working capital.

There no longer seemed to be any doubt as to the success of the enterprise, and Ben, Johnny, and Paul found their regular business seriously interfered with by those of their acquaintances who were anxious to become actors. Had they given a position to each of their friends who asked for one, they would have been obliged to have given the entertainment without an audience, for all their acquaintances would have been employed in the theatre.

Left Behind — Part 30

Master Dowd had foreseen this difficulty, and before he had been a member of the firm five minutes he decided that no actors outside the firm should be employed, and that Nelly should do something towards the entertainment, probably in the way of a song. As to ticket-sellers, door-keepers, ushers, and such officers, Mopsey felt reasonably certain that Mrs. Green would consent to take her knitting and fill all the positions by sitting at the door, where she could collect the money for admissions, keep the audience in order, and keep a general eye to the safety of her house, all at the same time.

Left Behind — Part 30

Thus, when any one pleaded old friendship, or services rendered, as a reason why they should be admitted as members of the company, everything was made plain and pleasant by referring to the mutual agreement that prevented any more actors, however brilliant they thought they were, from being engaged.

Left Behind — Part 30

The public, or a certain portion of it, were more than anxious to know what the opening play was to be, and many inquiries were made of the first three of the partners, even before they had succeeded in procuring the material for the stage. Finally they spoke to Mopsey about it, for they thought the curiosity of their expected patrons should be satisfied.

Owing to its being generally understood that Mopsey was an author, making dramatic literature a specialty, the other partners, advised by Nelly Green, had left the important question of what the opening play should be entirely to the pea-nut merchant. When he was questioned on the subject by his partners, he refused to give them any information save that he was thinking up something which would go ahead of anything yet written, and that he would make the result of his thoughts known in due time.