I have, however, received such manifest benefit from horse exercise, and gradual abandonment of fermented and total abstinence from spirituous liquors, and by being alone with Poole, and the renewal of old times, by wandering about among my dear old walks of Quantock and Alfoxden, that I have seriously set about composition, with a view to ascertain whether I can conscientiously undertake what I so very much wish, a series of Lectures at the Royal Institution. I trust, I need not assure you, how much I feel your kindness, and let me add, that I consider the application as an act of great and unmerited condescension on the part of the managers as may have consented to it. After having discussed the subject with Poole, he entirely agrees with me, that the former plan suggested by me is invidious in itself, unless I disguised my real opinions; as far as I should deliver my sentiments respecting the _arts_, would require references and illustrations not suitable to a public lecture room; and, finally, that I ought not to reckon upon spirits enough to seek about for books of Italian prints, etc. And that after all the general and most philosophical principles, I might naturally introduce into lectures on a more confined plan--namely, the principles of poetry, conveyed and illustrated in a series of lectures. 1. On the genius and writings of Shakespeare, relatively to his predecessors and contemporaries, so as to determine not only his merits and defects, and the proportion that each must bear to the whole, but what of his merits and defects belong to his age, as being found in contemporaries of genius, and what belonged to himself. 2. On Spenser, including the metrical romances, and Chaucer, though the character of the latter as a manner-painter, I shall have so far anticipated in distinguishing it from, and comparing it with, Shakespeare. 3. Milton. 4. Dryden and Pope, including the origin and after history of poetry of witty logic. 5. On Modern Poetry, and its characteristics, with no introduction of any particular names. In the course of these I shall have said all I know, the whole result of many years' continued reflection on the subjects of taste, imagination, fancy, passion, the source of our pleasures in the fine arts, in the _antithetical_ balance-loving nature of man, and the connexion of such pleasures with moral excellence. The advantage of this plan to myself is--that I have all my materials ready, and can rapidly reduce them into form (for this is my solemn determination, not to give a single lecture till I have in fair writing at least one half of the whole course), for as to trusting anything to immediate effect, I shrink from it as from guilt, and guilt in me it would be.