The crowd surged and thickened about him, and he found himself the bureau of a myriad of inquirers. All this last winter and spring London had vaguely heard of this amazing young genius who was going to burst on the world, and Craddock in this room, and Mrs. Fortescue, looking nearly as brilliant as her portrait, in the next, were seized on as fountains of original information. Elsewhere Lady Crowborough, in a large shady hat trimmed with rosebuds and daisies, could give news of her own portrait now approaching completion, and Mr. Ward, who had marked down half a dozen pictures as suitable for his New York Luxembourg, followed, faint but pursuing, wherever he could get news of Craddock having passed that way, to tempt him with fresh offers for the mother portrait. Round that the crowd was thickest, and there, those who could see it were silent. There were no epithets that seemed to be of any use in the presence of that noble simplicity and tenderness. Once in a shrill voice Mr. Ward exclaimed, "Well, he's honoured his mother anyhow!" but even that, though on the right lines, savoured of inadequacy, a fault to which she was mostly a stranger. Or, now and then, a critic would point out the wonderful modelling of the hand, or the high light on the typewriter, or even shrug a fastidious shoulder, and wonder whether the quality of the brush-work was such----But for the greater part, there was not much talking just in front of it. Somehow it lived: to criticise or appreciate was like making personal remarks to its face. It took hold of you: you did not want to talk.

Charles had not intended to appear on this day of private view, but considering how deep and true was the knowledge that his portrait showed of his mother, it was strange that it had not occurred to him that it was absolutely certain that she would insist on going herself and would not dream of considering any escort but his. She called for him in fact, at his studio about twelve, dressed and eager with anticipation, and Charles had the sense not to waste time in expostulation over so pre-ordained a fact, as he now perceived his visit to be, but accepted the inevitable and put on his best clothes, while his mother brushed his hat. It was thus about a quarter to one, when the galleries were most crowded and the ferment over the three portraits was at its highest, that they entered.

Thorley Weir — Part 170