JOHN. Yes, he's a dark horse. And I'll tell you something else. That isn't _Mrs._ Tully; that's Tully's little weakness. He calls her Agnes, and that's the type of man Mr. Tully is.
PAMELA (_with a knowing nod of the head_). I had my suspicions. Then perhaps there's time for me to catch her before she finds the Rajah. (_She rushes off windows R.C._)
(_Enter AUNT HANNAH door L., without her hat._)
AUNT HANNAH. Where is my nephew, sir? Where is my nephew?
JOHN. Ah, Aunt Hannah! He's afraid to meet you until you forgive me for all I've done. There's been a most absurd mistake caused by your likeness to Bertram. If you'll only let me explain.
AUNT HANNAH. Really, I don't think it matters. (_Looking at her wet clothes._)
JOHN. But you've no idea what a wonderful likeness there is--except of course--_you_ look the younger.
(_TULLY runs on from door R., sees AUNT HANNAH._)
TULLY. Aunt Hannah! (_Over to her, kisses her._)
PAMELA. John, it's too late; the Rajah's gone and taken the necklace with him!
JOHN. Thank heaven! And I'll save up _your_ money and buy you another--and that's the truth!
PAMELA. But you always _do_ tell me the truth, John.
JOHN. But in future I'm going to tell you better truth. And now we can go home in safety. (_PAMELA and JOHN going up to window R.C._) Oh, Bertram, where are you going?
TULLY. I'm going to take Auntie down to the Mission.
AUNT HANNAH. Bertie, I'll just go and put my bonnet on.
MAMIE (_enters and over to TULLY_). I've got rid of the Rajah. Will you take me out to supper?
TULLY. I've promised to take Auntie down to the Mission.
MAMIE. Tell Auntie you're going on a much nicer mission. You _will_ come--say yes--Bertie! Bertie!
TULLY (_suddenly making up his mind to take the plunge_). Oh, Fluffie!!
(_TULLY kisses MAMIE excitedly. He moves head quickly to and from MAMIE'S cheek, more like pecks than kisses. URSULA enters from door R. AUNT HANNAH from door L. PAMELA and JOHN from windows R.C. All enter simultaneously and seeing TULLY kissing MAMIE they exit simultaneously with varied exclamations and expressions._)
B. Door opening on and up. M. Pot with Marguerites.
The small table (J.) down L. in Act I is moved to down C., the chair from in front of the writing-table is moved to the left side of the small table (now C.) and the arm-chair (G.) is moved to the right side of the small table (now C.). Otherwise the furniture is not altered.