"No gold from him," said the magician. "His scars frank him."

"Bravo, Monsieur le prophète! Bravissimo! Here I am. Shall I begin, mon _sorcier_, without further loss of time, to question your--"

In a Glass Darkly, v. 2/3 — Part 45

Without waiting for an answer, he commenced, in Stentorian tones.

In a Glass Darkly, v. 2/3 — Part 45

After half-a-dozen questions and answers, he asked--

In a Glass Darkly, v. 2/3 — Part 45

"An Englishman, whom, if you catch, he will kill you; and a French widow, whom if you find, she will spit in your face."

"Monsieur le magicien calls a spade a spade, and knows that his cloth protects him. No matter! Why do I pursue them?"

"The widow has inflicted a wound on your heart, and the Englishman a wound on your head. They are each separately too strong for you; take care your pursuit does not unite them."

"The Englishman protects ladies. He has got that fact into your head. The widow, if she sees, will marry him. It takes some time, she will reflect, to become a colonel, and the Englishman is unquestionably young."

"I will cut his cock's-comb for him," he ejaculated with an oath and a grin; and in a softer tone he asked, "Where is she?"

"Near enough to be offended if you fail."

"So she ought, by my faith. You are right, Monsieur le prophète! A hundred thousand thanks! Farewell!" And staring about him, and stretching his lank neck as high as he could, he strode away with his scars, and white waistcoat and gaiters, and his bearskin shako.

I had been trying to see the person who sat in the palanquin. I had only once an opportunity of a tolerably steady peep. What I saw was singular. The oracle was dressed, as I have said, very richly, in the Chinese fashion. He was a figure altogether on a larger scale than the interpreter, who stood outside. The features seemed to me large and heavy, and the head was carried with a downward inclination! the eyes were closed, and the chin rested on the breast of his embroidered pelisse. The face seemed fixed, and the very image of apathy. Its character and _pose_ seemed an exaggerated repetition of the immobility of the figure who communicated with the noisy outer world. This face looked blood-red; but that was caused, I concluded, by the light entering through the red silk curtains. All this struck me almost at a glance; I had not many seconds in which to make my observation. The ground was now clear, and the Marquis said, "Go forward, my friend."