The duke lowered his voice, he was evidently retailing the most appalling things. Andrea caught scraps here and there of a highly-spiced nature and, once or twice, the name of a newspaper famous in the annals of London scandal. He longed to hear more; a terrible curiosity took possession of him. His imagination conjured up Lord Heathfield's hands before him--so white, so significant, so expressive, so impossible to forget. Musellaro was still talking, and now said--

On the stairs they encountered Albonico, who was coming up. He was in deep mourning for Donna Ippolita, and Andrea stopped to ask for details of the sad event. He had heard of her death when he was in Paris in November from Guido Montelatici, a cousin of Donna Ippolita.

The Child of Pleasure — Part 163

The wan and pale-eyed widower grasped at an occasion for pouring out his griefs, for he made a display of his bereavement as, at one time, he had made a display of his wife's beauty. He stammered and grew lachrymose and his colourless eyes seemed bulging from his head.

The Child of Pleasure — Part 163

Seeing that the widower's elegy threatened to be somewhat long drawn out, Musellaro said to Andrea--

The Child of Pleasure — Part 163

'If we don't take care, we shall be late.'

Andrea accordingly took leave of Albonico, promising to hear the rest of the funeral oration very shortly, and went away with Musellaro.

The meeting with Albonico had re-awakened the singular emotion--partly regret, partly a certain peculiar satisfaction--which he had experienced for several days after hearing the news of this death. The image of Donna Ippolita, half obliterated by his illness and convalescence, by his love for Maria Ferrès, by a variety of incidents, had reappeared to him then as in the dim distance, but invested with a nameless ideality. He had received a promise from her which, though it was never fulfilled, had procured to him the greatest happiness that can befall a man: the victory over a rival, a brilliant victory in the presence of the woman he desired. Later on, between desire and regret another sentiment grew up--the poetic sentiment for beauty idealised by death. It pleased him that the adventure should end thus for ever. This woman who had never been his, but to gain whom he had nearly lost his life, now rose up noble and unsullied before his imagination in all the sublime ideality of death. _Tibi, Hippolyta, semper!_