One who had only chanced to get a glimpse of her in her own room, as in imagination my reader has done, would hardly have recognised her again in the drawing-room. For in her own room she was but as she appeared to herself in her mirror--dull, inanimate; but in the drawing-room her reflection from living eyes and presences served to stir up what waking life was in her. When she spoke, her face dawned with a clear, although not warm light; and although it must be owned that when it was at rest, the same over-stillness, amounting almost to dulness, the same seeming immobility, ruled as before, yet, even when she was not speaking, the rest was often broken by a smile--a genuine one, for although there was much that was stiff, there was nothing artificial about Helen. Neither was there much of the artificial about her cousin; for his good-nature, and his smile, and whatever else appeared upon him, were all genuine enough--the only thing in this respect not quite satisfactory to the morally fastidious man being his tone in speaking. Whether he had caught it at the university, or amongst his father’s clerical friends, or in the professional society he now frequented, I cannot tell, but it had been manufactured somewhere--after a large, scrolly kind of pattern, sounding well-bred and dignified. I wonder how many speak with the voices that really belong to them.

Plainly, to judge from the one Bascombe used, he was accustomed to lay down the law, but in gentlemanly fashion, and not as if he cared a bit about the thing in question himself. By the side of his easy carriage, his broad chest, and towering Greek-shaped head, Thomas Wingfold dwindled almost to vanishing--in a word, looked nobody. And besides his inferiority in size and self-presentment, he had a slight hesitation of manner, which seemed to anticipate, if not to court, the subordinate position which most men, and most women too, were ready to assign him. He said, “Don’t you think?” far oftener than “I think” and was always more ready to fix his attention upon the strong points of an opponent’s argument than to re-assert his own in slightly altered phrase like most men, or even in fresh forms like a few; hence--self-assertion, either modestly worn like a shirt of fine chain-armour, or gaunt and obtrusive like plates of steel, being the strength of the ordinary man--what could the curate appear but defenceless, therefore weak, and therefore contemptible? The truth is, he had less self-conceit than a mortal’s usual share, and was not yet possessed of any opinions interesting enough to himself to seem worth defending with any approach to vivacity.

Thomas Wingfold, Curate — Part 9