We profess to ridicule the idea that involuntary servitude is abolished, when South Coral-ina holds ourselves and so many others in slavery. She retorts by calling us Neptune, and asking after the telegraph cable. When this badinage had been going on for some time, our friend Nix played quite a pretty hoax on the ladies. He arrived one evening with a somewhat dirty-looking basket on his arm filled with oysters. This was rather an inelegant thing to bring into the parlor, and naturally excited some surprise; but when he began to take out the grimy-looking bivalves, and one by one, hand them round to the ladies, there was a commotion bordering on indignation; the first lady declined to receive so plebeian a gift, whereupon Nix took a penknife from his pocket and opened it; revealing the inside lined with rich velvet, and bearing some trinket made of gold and pearls. This was in payment of a bet of an oyster supper which he had playfully made with and purposely lost to one of the ladies.
But to revert to our Coral. We often aided the fair mermaid in her manufactures, making sprays of coral nearly as large as in currant bushes, coral walking-canes, coral ear-rings, pen racks, paper weights, and other useful articles. We converted into coral--walnuts, small mud-turtles, birds' claws, sea-shells, and indeed almost everything on which we could lay our hands. Finally we took paterfamilias' felt hat one night and gave it a couple of coats of scarlet varnish, much to the astonishment of that good gentleman when he wished to put it on next morning.
The mode of making these coral ornaments is, of course, very simple; otherwise it would not find a place in this book:
To two drachms of fine vermilion, add one ounce of clear resin, and melt them together; paint the object with this mixture while hot, and then hold it over a gentle fire till it is perfectly covered and smooth.
To make sprays of coral you should procure some twigs of thorn; peel and dry, before painting with the varnish.
The Nix gift of pearls has set all the ladies to work on a new idea--painting pictures in oil-colors on the inside of oyster shells; these are mostly marine subjects where the natural hues of the shell supply the requisite tints for the clouds and water. One of these little works represented a fish, where the sheen of the mother-of-pearl gave a marvellously natural effect to the scales and gills.