The carriage reached the fork of the road taking the route to Valldemosa, and all his memories seemed left behind, motionless by the roadside, growing hazy in the distance.
The way to Valldemosa held no memory of the past. He had been over it only twice, after coming to manhood, having gone with friends to see the cells of the Cartuja--a once renowned Carthusian convent. He recalled the farmers' olive trees along the roadside, aged trees of strange, fantastic shapes which had served as inspiration for many artists, and he thrust his head through a window to look at them again. The ground was rising; here began the stony, unirrigated ground, the lowest of the foothills. The road wound steeply among the ancient groves. The first olive trees now passed before the carriage windows.
Febrer had seen them, had often spoken of them, and yet he felt the sensation of something extraordinary, as if looking at them for the first time. They were black, with enormous, knotted, open trunks, swelling with great excrescences, and the foliage was sparse. These were olive trees which had stood for centuries, which had never been pruned, in which age robbed the sap from the branches to distend the trunk with the protuberances of a slow and painful circulation. The region looked like the deserted studio of a sculptor littered with thousands of shapeless bulks, with monsters scattered over the ground, upon a green carpet dotted with bluebells and marguerites.
One of the trees resembled an enormous toad crouching ready to spring, holding a spray of leaves in its mouth; another was a great coiled boa with an olive crest upon his head. There were trunks open like ogives, through the orifices of which shone the blue sky; monstrous serpents coiled in groups like the spirals of a solomonic column; gigantic negroes, heads down and hands on the ground, the roots like fingers thrust deep into the soil, their feet in the air, grotesque stems with bunches of leaves springing from them. Some, vanquished by the centuries, were lying on the ground, sustained by forked branches, like old men trying to lift themselves with the aid of crutches.
It seemed as if a tempest had swept these fields, overthrowing and twisting everything out of shape, and afterward turning them to stone to hold this work of desolation under a spell forever. Some trees standing erect, and having softer outlines, seemed to have feminine faces and figures. They were Byzantine maidens, with tiaras of dainty leaves and trailing vestments of wood. Others were ferocious idols with protruding eyes and long flowing beards; fetiches of gloomy, barbaric cults capable of checking primitive humanity in its progress, forcing it to its knees with emotion as if at a meeting with divinity. In the calm of this frenzied, but motionless distortion, in the solitude of these fields peopled by startling and eternal specters, birds were singing, wild flowers crept to the foot of the worm-eaten trunks, and ants came and went, an infinite rosary, burrowing in the ancient roots like indefatigable miners.