Family Law () is a 2006 internationally co-produced comedy-drama film, written and directed by Daniel Burman.
The picture was produced by Diego Dubcovsky, José María Morales, and Marc Sillam, and co-produced by Amedeo Pagani. Family Law was Argentina's official submission for the 2004 Academy Award for Best Foreign Language Film.
Plot
The film tells the story of Ariel Perelman (Daniel Hendler). While he has an easygoing lifestyle, he's trying to find his way in life in Buenos Aires, Argentina. He works at a university as a law professor. The film begins with a long narration of the way things stand in his life. He describes his father, Bernardo Perelman (Arturo Goetz), in detail. Perelman, as he's known, is a popular public defender who meets his clients where they work or in restaurants so he can determine what they are "all about." Most of his clients are generally poor. He's very close to his secretary (Adriana Aizenberg) since his wife died fifteen years ago. Work fills Perelman's days, and Ariel is astonished by his energy.
After lusting after Sandra (Julieta Díaz), an attractive woman who takes his class, Ariel decides to chase her and takes the Pilates class she teaches. Not much happens until Sandra is sued for teaching Pilates without the approval of the company who hold the rights to teach Pilates in Argentina. Ariel (known as Perelman to Sandra) reaches out to his father for help and wins the law suit.
In the process, Sandra falls in love with the younger Perelman and they marry. She begins to decorate their home for a few years and they have a child they name Gastón (Eloy Burman), who is a quite charming young boy.
Ariel's university building is shut down for a month because it had collapsed, and he is given some time off. However, he doesn't share this news with his wife. During this time his father starts spending some quality time with Ariel, which makes him think something must be wrong. Ariel is asked by the Swiss kindergarten school Gastón attends to participate in a play and swim classes with the other fathers. Ariel first rebels but gives in.
The film ends with his father's death and burial and a long introspective look at Ariel Perelman's life in his 30s.
Cast
Daniel Hendler as Ariel Perelman
Arturo Goetz as Bernardo Perelman
Eloy Burman as Gastón Perelman
Julieta Díaz as Sandra
Adriana Aizemberg as Norita
Jean Pierre Reguerraz as uncle Eduardo Perelman
Dmitry Rodnoy as Germán
Luis Albornoz as Echechuny
Darío Lagos as uncle Mamuñe
Damián Dreizik as Damidjian
Gerardo del Águila as Peruano (Peruvian)
Background
Derecho de familia is part of a loose trilogy of films. The other two are: Esperando al mesías (2000) and El abrazo partido (2004). All were written and directed by Burman and star Daniel Hendler. They are largely autobiographical, dealing with the life of a young Jew in contemporary Buenos Aires.
Like the characters in the film, Burman's own father was a lawyer and he also went to law school.
Eloy Burman who plays Gastón Perelman is the young son of director Daniel Burman.
Distribution
The film was first presented at the Berlin International Film Festival on February 10, 2006. It was first screened in Argentina on March 16, 2006 at the Mar del Plata Film Festival. It opened wide in Argentina on March 23, 2006.
The film was shown at various film festivals, including: the Toulouse Latin America Film Festival, France; the Moscow Film Festival, Russia; the Karlovy Vary Film Festival, Czech Republic; the Edinburgh Film Festival, Scotland; the Helsinki International Film Festival, Finland; Films From The South Festival, Norway; the Chicago International Film Festival, USA; the Warsaw Film Festival, Poland; and others.
The film was released on DVD in Argentina on July 7, 2006 by Argentina Video Home.
Reception
Critical response
Family Law garnered mostly positive reviews from film critics. On review aggregate website Rotten Tomatoes, the film holds an overall 73% "Certified Fresh" approval rating based on 41 reviews, with a rating average of 6.7 out of 10. The site's consensus is: "What Family Law lacks in overt drama and conflict, it more than makes us with warm performances and smart, sharp dialogue." At Metacritic, which assigns a weighted mean rating out of 0–100 reviews from film critics, the film has a rating score of 66 based on 18 reviews, classified as a generally favorably reviewed film.