The Boy with the X-Ray Eyes is the debut album by British rock band Babylon Zoo, released in February 1996. It features the single "Spaceman", which charted at number one on the UK Singles Chart after being featured in a popular Levi's jeans TV advertisement in late 1995. The album peaked at number 6 on the UK Albums Chart and met with generally favourable reviews.
Commercial performance
The Boy with the X-Ray Eyes peaked at number 6 in the UK Albums Chart on 17 February 1996, and lasted a total of six weeks in the top 100 (three in the top 40). Other than the chart-topping "Spaceman", singles released from the album were "Animal Army", which reached number 17 in the UK Singles Chart, and the title track, which peaked at number 32. By the end of 1996, the album had sold around 750,000 copies worldwide, with its main markets in Europe (reaching the top 20 in several countries including Germany and Scandinavian territories), Japan and Australia. UK sales exceeded 100,000. In two months, the album had sold a "respectable" 12,000 copies in Canada.
Critical reception
{ { Album ratings
|subtitle = Contemporaneous reviews
|rev1 = The Age
|rev1score = 5/10
|rev2 = Alternative Press
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|rev3 = Dayton Daily News
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|rev4 = The Guardian
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|rev5 = The Michigan Daily
|rev5score =
|rev6 = Pensacola News Journal
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|rev7 = Q
|rev7score =
|rev8 = Select
|rev8score = 2/5
|rev9 = Times Colonist
|rev9score =
|rev10 = Vox
|rev10score = 2/10
}}The Boy with the X-Ray Eyes was generally well-received by critics upon its release. In Babylon Zoo's native UK, Observer journalist Neil Spencer noted "a blast of Beatles and a hunk of early [David] Bowie", hailing bandleader Jas Mann as a "hero" and "1996's first real phenomenon". The Guardian named the album their "CD of the week". Rick Glanvill said: "This is a fey, pretentious vision of music but deny its energy and style to your detriment... Lyrics aren't a strong point but strong tunes put [Mann] on the harder side of glam." Qs Martin Aston asserted that "Spaceman" is "startlingly great", with the rest of the record being "equally appealing". David Sinclair in The Times referred to "a credible and cohesive collection of songs which harnesses a big, distorted guitar sound to a futuristic vision". Less enthused was music historian Martin C. Strong, who found the album to be "mediocre".
There were several negative reviews throughout the British Isles. The Daily Telegraph commended the first two tracks but lost interest thereafter, directing criticism at the "mannered" vocals, "increasingly precious" lyrics, and song arrangements in which "one grinding riff sure enough follows another". Andy Gill in The Independent described the album as "re-heated techno-glam guitar-rock somewhere between Ziggy Stardust and Jesus Jones", which brings home "just how mundane the notionally exotic can be". The Irish Times observed an "outmoded melange of distorted guitars, washed out synthesisers and pseudo sociological sci fi lyrics", listening to which is "not a pleasant experience". The Lists Rodger Evans portrayed the record as "wholly uninspired", while Ian Harrison of Select dubbed it "a mime troupe unable to keep quiet".The Boy with the X-Ray Eyes also garnered attention in the United States. People contended: "[T]he tunes basically reprise the sonic spirit and hooky appeal of ['Spaceman']. Before long you just might find yourself humming them in your sleep." Dave Thompson in Alternative Press felt "no fears for follow-ups" to the lead single, and likened the album to "[David] Bowie's Ziggy Stardust, remixed by the guys from Underworld". New York Times critic Neil Strauss described the record as "wonderful and satisfying in the short term but ultimately disposable". An unfavourable J. D. Considine in The Baltimore Sun chided the album's "shoddy sound and abundant gimmickry", concluding that "it's hard to imagine America falling for this junk". Michigan Daily reporter Heather Phares also predicted a lack of US success for the group, while taking aim at their "turgid music" and "dogmatic lyrics".