The latter part of the sentence, intimating a suspicion of his courage, La Motte, could have dispensed with, and to retrieve in some degree his reputation, he made a point of proceeding through the passage. They now moved on with alacrity, for, as Peter said, they had nothing to fear.
The passage led into a large area, on one side of which, over a range of cloisters, appeared the west tower, and a lofty part of the edifice; the other side was open to the woods. La Motte led the way to a door of the tower, which he now perceived was the same he had formerly entered; but he found some difficulty in advancing, for the area was overgrown with brambles and nettles, and the light which Peter carried afforded only an uncertain gleam. When he unclosed the door, the dismal aspect of the place revived the apprehensions of Madame La Motte, and extorted from Adeline an inquiry whither they were going. Peter held up the light to show the narrow staircase that wound round the tower; but La Motte, observing the second door, drew back the rusty bolts, and entered a spacious apartment, which, from its style and condition, was evidently of a much later date than the other part of the structure: though desolate and forlorn, it was very little impaired by time; the walls were damp, but not decayed; and the glass was yet firm in the windows.
They passed on to a suit of apartments resembling the first they had seen, and expressed their surprise at the incongruous appearance of this part of the edifice with the mouldering walls they had left behind. These apartments conducted them to a winding passage, that received light and air through narrow cavities placed high in the wall; and was at length closed by a door barred with iron, which being with some difficulty opened, they entered a vaulted room. La Motte surveyed it with a scrutinizing eye, and endeavoured to conjecture for what purpose it had been guarded by a door of such strength; but he saw little within to assist his curiosity. The room appeared to have been built in modern times upon a Gothic plan. Adeline approached a large window that formed a kind of recess raised by one step over the level of the floor; she observed to La Motte that the whole floor was inlaid with Mosaic work; which drew from him a remark, that the style of this apartment was not strictly Gothic. He passed on to a door which appeared on the opposite side of the apartment, and, unlocking it, found himself in the great ball by which he had entered the fabric.