[Illustration: ALAMEDA DE LAS DELICIAS, SANTIAGO.]
Below is a vast expanse of flat roofs, out of which here and there rise trees and a wealth of green. These are in the patios, or inside courts, of the larger houses. Here and there rise the towers of the numerous churches with which Santiago is provided. The many streets cross each other in checkerboard fashion, thus dividing the city into square blocks. At one side can be distinguished the Alameda de las Delicias, with its double rows of great poplar trees, which furnish an arbour of dense shade from one end of the city to the other, a distance of three miles, and which leads out to the parks known as Quinta Normal and Cousiño. This avenue, which was formerly the principal road leading into the city, has been laid out as a broad highway more than three hundred feet in width, with a promenade in the centre and a wide driveway on either side. Fronting this Alameda are many very fine residences—the finest in the city. Some of the houses are very large, containing fifty rooms or more, and the furnishings are elaborate. The ceilings are very high, which gives ample opportunity for decorative effect. One striking feature is the absence of chimneys, for the Chileans are averse to artificial heat. In the winter time it is nothing unusual for a guest to be received by the host and his family wearing furs and heavy wraps. A few of the newer houses have installed heating plants. With these homes the best and most attractive part is usually hidden from the street. There are several stands along the Alameda at which military bands discourse music frequently. The promenade is broken by many statues of Chile’s heroes, and others commemorating events important in Chilean history; and at every few feet throughout its length are stone seats on which the people rest.
One of the finest private residences in South America is that belonging to the Cousiño family, which was erected by the late Señora Isadora Cousiño. It was designed by a famous French architect and will compare favourably with those of New York. It is built of brick, stuccoed in the usual manner to resemble stone, and is imposing. Its interior decorations are elaborate, but rather the style one would expect in a public building than in a private home. They are all French scenes, as the work was done by French artists. It is still one of the show places, although the señora has been dead for many years, and her descendants have more modest taste. She was a remarkable woman, and her chief concern seemed to be to expend her enormous income. Her extravagance was frequently the gossip of Europe as well as her native land. Herself the richest woman in Chile before marriage, she married the richest man, and all his wealth was willed to her at his death. She had millions of dollars in herds, mines, railroads, steamships, real estate, etc. Another magnificent château at Lota was built by her, and the _estancia_ of Macul, an hour’s ride from Santiago, was almost a principality in itself. The land stretched from the environs of the city to the distant Cordilleras with their mantle of snow.