“I don’t care where we go,” I said, to my own surprise.
“Don’t you really?” he rejoined, with sudden warmth. Then, with a slight change of voice. “You mean it’s all very jolly about here?”
Of course I meant that. Before we went below we both looked for a moment at the little grey memorial; its slender fretted arch outlined in tender lights and darks above the hollow on the Alsen shore. The night was that of September 27, the third I had spent on the _Dulcibella_.
I make no apology for having described these early days in some detail. It is no wonder that their trivialities are as vividly before me as the colours of earth and sea in this enchanting corner of the world. For every trifle, sordid or picturesque, was relevant; every scrap of talk a link; every passing mood critical for good or ill. So slight indeed were the determining causes that changed my autumn holiday into an undertaking the most momentous I have ever approached.
Two days more preceded the change. On the first, the southwesterly wind still holding, we sallied forth into Augustenburg Fiord, “to practise smartness in a heavy thresh,” as Davies put it. It was the day of dedication for those disgusting oilskins, immured in whose stiff and odorous angles, I felt distressfully cumbersome; a day of proof indeed for me, for heavy squalls swept incessantly over the loch, and Davies, at my own request, gave me no rest. Backwards and forwards we tacked, blustering into coves and out again, reefing and unreefing, now stung with rain, now warmed with sun, but never with time to breathe or think.
I wrestled with intractable ropes, slaves if they could be subdued, tyrants if they got the upper hand; creeping, craning, straining, I made the painful round of the deck, while Davies, hatless and tranquil, directed my blundering movements.
“Now take the helm and try steering in a hard breeze to windward. It’s the finest sport on earth.”
So I grappled with the niceties of that delicate craft; smarting eyes, chafed hands, and dazed brain all pressed into the service, whilst Davies, taming the ropes the while, shouted into my ear the subtle mysteries of the art; that fidgeting ripple in the luff of the mainsail, and the distant rattle from the hungry jib—signs that they are starved of wind and must be given more; the heavy list and wallow of the hull, the feel of the wind on your cheek instead of your nose, the broader angle of the burgee at the masthead—signs that they have too much, and that she is sagging recreantly to leeward instead of fighting to windward. He taught me the tactics for meeting squalls, and the way to press your advantage when they are defeated—the iron hand in the velvet glove that the wilful tiller needs if you are to gain your ends with it; the exact set of the sheets necessary to get the easiest and swiftest play of the hull—all these things and many more I struggled to apprehend, careless for the moment as to whether they were worth knowing, but doggedly set on knowing them. Needless to say, I had no eyes for beauty. The wooded inlets we dived into gave a brief respite from wind and spindrift, but called into use the lead and the centreboard tackle—two new and cumbrous complexities. Davies’s passion for intricate navigation had to be sated even in these secure and tideless waters.