Francis Blackwell Mayer (December 27, 1827 – December 5, 1899) was a prominent 19th-century American genre painter from Maryland. While he spent most of his life in that state, he took a trip to the western frontier in the mid-nineteenth century and executed a series of drawings of Native Americans; he also studied in Paris for five years in the 1860s.
Primarily known for his oil paintings and watercolors, he also worked in other media, including pen and crayon drawings, engraving, and illustrating. Many of his work have historic themes.
Early life and education
Francis (Frank) Blackwell Mayer was born in Baltimore, Maryland, on December 27, 1827, the son of Charles Mayer (1795-1864) and Eliza Blackwell Mayer (1803–1885). He was one of three sons, Henry Christian Mayer (1821–1846), the son of his father with his first wife, and Alfred M. Mayer, who became a noted physicist, being the other two. An uncle, Brantz Mayer, was a noted author.
Frank Blackwell Mayer studied art in Baltimore with Alfred Jacob Miller and Ernest Fischer in the 1840s and in Paris with Charles Gleyre and Gustave Brion between 1864 and 1869, specializing in oil paintings and crayon drawings. He lived in Paris from 1862 to 1870, where his artwork was exhibited at annual expositions in both London and Paris.
Early career
Frank B. Mayer began his work to form the Maryland Art Association on March 14, 1847 and the association met in his studio once a week. He went on to work as an engraver in Philadelphia in 1847 and in 1848 served as the assistant librarian for the Gallery of Fine Arts at the Maryland Historical Society, which his uncle author Brantz Mayer, was heavily involved with, both in its founding and as president. He also made illustrations for his uncle’s books on Mexico. Mayer went on to form the Allston Association with friends for the appreciation of American Artists. Its constitution outlined the usual club regulations and allowed ladies as auxiliary members and outlined the plans for art exhibitions and for assistance given to native artists. He also served on the club’s Board of Directors.
In May 1851, Mayer travelled to Minnesota Territory and observed the signing of the Treaty of Traverse des Sioux. He wrote extensive journals and made pen and ink drawings of his experiences in the west. This experience was the influence for one of his most famous paintings, “Treaty of Traverse des Sioux, Minnesota” from 1886. Upon his return to Maryland, ten of his watercolors were exhibited by the Artist’s Association of Baltimore at the Maryland Historical Society in 1856.
Artistic career
After his education in Europe, Mayer received a medal and diploma from the Maryland Institute for his works “Continental” and “Attic Philosopher.” Upon his return to the United States, he settled in Annapolis, Maryland, and resided on Market Street while keeping a studio on Prince George Street. His work included historical paintings, two of which were bought by the State of Maryland and hang in the Maryland State House, The Burning of the Peggy Stewart, and the Planting of the First Colony in Maryland. Additional artwork by Mayer such as the well-known Annapolis in 1750 was done for private individuals, the Peabody Institute, and the U.S. government.
In 1891, Mayer was commissioned by the Baltimore and Ohio Railroad to paint The Founders of the Baltimore and Ohio Railroad, representing the railroad's history from its founding in 1827 to 1880. It was displayed at the B&O's headquarters in Baltimore for much of the 20th century. The original painting is now at the headquarters of CSX Transportation in Jacksonville, Florida, the successor railroad to the B&O. A replica is on public display at the B&O Railroad Museum in Baltimore.
Life in Annapolis
In 1876, Mayer purchased a home in historic Annapolis and took an active interest in the city’s improvement. In 1884, Mayer helped found the Local Improvement Association of Annapolis. Mayer was active in landscaping public areas of the city such as the circle around Market Space. He was later a member of the building committee of a new public school and was interested in architecture as well as the history of Annapolis. He conducted research on the "customs and characters" of Annapolis that later formed the basis for a chapter in Elihu S. Riley's The Ancient City: A History of Annapolis, in Maryland 1649-1887 (Annapolis: Record Printing Office, 1887).