[Footnote 1: Read before the Photographic Association of Brooklyn.]
What I want to show is the manner in which the process has been tested. My employer, Mr. Bierstadt, has given me permission to show you some samples, and also his chart containing the spectrum colors: violet, indigo blue, green, yellow, orange, red, and black. This chart has been photographed in the orthochromatic and also in the ordinary way.
There are many ways of producing an orthochromatic effect; one is the use of a glass tank placed behind or in front of the lens, in which a coloring matter from either a vegetable or mineral product is placed; this tank or cell is, however, only for use in the studio, as for outdoor photography we have a colored glass screen, so as not to be bothered with carrying colored solution.
The tank is constructed as follows: Procure two pieces of best white plate glass, about 6 inches square; between these place a piece of rubber of the same size square, and about 3/8 of an inch thick. In the center of this rubber cut out a circle about 4 inches diameter, and from one of the corners to the center of the circle cut out a narrow strip ¼ inch wide; this serves as the mouth of the tank. The two pieces of glass and the rubber are cemented together with rubber cement; then, to hold it firmly together, two brass flanges are used as a clamp, with four screws at an equal distance apart; a thin sheet of rubber is on the glass side of the flanges to prevent direct contact with the glass, the center remaining clear for the rays of light to pass through solution and glass.
One of the best orthochromatic effects made through this tank is with a three-grains-to-the-ounce solution of bichromatic of ammonia or bichromate of potassium. In this method there is no preparation used on the plate. A common rapid dry plate is exposed through this solution; the exposure, however, is about twenty times longer than it would be if you removed the tank with the yellow solution, or, in other words, if a dry-plate is exposed one minute without the yellow solution it would have to be exposed twenty minutes through a three-grain solution of bichromate of potassium or ammonia. It produces wonderful results on an oil painting or any highly colored object.