The Temptations is a four-hour television miniseries broadcast in two-hour halves on NBC, based upon the history of one of Motown's longest-lived acts, The Temptations. Executive produced by former Motown executive Suzanne de Passe, produced by Otis Williams and Temptations manager Shelley Berger, and based upon Williams’ Temptations autobiography, the miniseries was originally broadcast on November 1 and November 2, 1998. It was filmed on location in Pittsburgh, Pennsylvania, in the spring of 1998. Allan Arkush directed the miniseries.
Overview
The miniseries was based upon Otis Williams' book; as such, it came from his perspective: the focus of the story tended to be on Williams and Melvin Franklin, with David Ruffin and Eddie Kendricks seen as antagonists for much of the second half (although Kendricks was still given a more sympathetic portrayal than Ruffin). Dennis Edwards was not heavily focused upon, nor was much said of the problems he later had with Otis Williams. Nevertheless, the miniseries gave a general overview of both the history of the group and that of Motown, and, thanks to de Passe's connection, the film was able to use authentic props and locations.
A number of liberties were taken with factual events for dramatization purposes: In the miniseries, during a 1964 New Year's Motown party, Al Bryant is reluctant to perform another encore, and is fired from the group following a backstage altercation with Bryant throwing a beer bottle at Paul Williams. In reality, the incident happened in October 1963, but it was Williams who was reluctant to do another encore. Bryant would be fired two months later for being uncooperative following an annual Christmas party. The group's trademark four-headed microphone doesn't debut until Edwards joins the group, but in reality, it debuted in 1966 and in fact, Ruffin was responsible for creating it. The miniseries shows David Ruffin developing ego problems and suggesting to change the band's name to "David Ruffin and the Tempations" in early 1966. In reality, it did not happen until late 1967 when The Supremes were re-branded as "Diana Ross and the Supremes". In the miniseries, Edwards is visibly angered when Ruffin steals his microphone during a concert performance. In actuality, Edwards claims he gave the microphone and was appreciative for Ruffin's presence. While the miniseries dramatically and somewhat accurately portrays Paul Williams's death by suicide, in real life he was found dead in an alley in a car, and not in a parking lot as portrayed. In the miniseries it stated that the Temptations left Atlantic Records after recording one album. They actually recorded two albums for Atlantic; Hear to Tempt You in 1977 and Bare Back in 1978. Another inaccuracy is the depiction of Ruffin, Kendricks, and Edwards performing together before the 1982 reunion tour; in reality, Ruffin and Kendricks did not start performing together until 1985, with Edwards joining them in 1989 after the group was inducted into the Rock and Roll Hall of Fame. David Ruffin was not found dead (after being unceremoniously dumped out of a car) near a hospital, and then taken to a morgue where he would not be properly identified for a week. In reality, he had suffered a drug overdose, and was taken to the hospital by his chauffeur who notified attending staff of Ruffin's identity. Because no one claimed his body immediately after his death, his corpse lay in the morgue for two days; once Ruffin's family was informed of his death, they claimed his body the next day. In the miniseries, Melvin Franklin apparently dies outside of the kitchen in his mother's house. In reality, he died from heart failure at the Cedars-Sinai Medical Center after being admitted following a series of seizures. As Franklin's death was still fresh in the minds of the miniseries' creators (he died in 1995), it was decided that the miniseries would not present Franklin's death as it actually occurred.
As a result, Otis Williams and the producers would be sued by several people portrayed in the film and their families, notably Melvin Franklin's mother and the children and estate of David Ruffin.
Although the movie is set mostly in Detroit and Los Angeles, the producers chose to shoot the film in Pittsburgh, presumably to take advantage of the many different architectural and geographical looks that Pittsburgh offers. de Passe Entertainment had, some six years earlier, shot The Jacksons: An American Dream in Pittsburgh as well.