His disciples had told me the night before that "A.E." had helped them much in the National Dramatic Company, painting scenery for them, designing costumes, and aiding in a hundred other ways. He was silent about these matters and not very proud of the play. "Of course," he said, "I was very familiar with the story of Deirdre, and I had thought of its dramatic effectiveness, but I knew nothing of the stage and I was very much surprised it went so well." That it went well, I, who had seen it but the night before, could testify, though that rehearsal could give but a suggestion of the beautiful stage pictures it presents when played in the costume of the Heroic Age. Despite its intensely dramatic situations, it is, however, essentially a decorative rather than a dramatic play, and its exalted prose is seldom true dramatic speech. But you carry from it the memory of beautiful pictures, and a feeling that something noble has passed your way, to enter into and become a part of you.

As we were talking of the "movement," in came a young Roscommon landlord, and with him another of its phases and my discovery of Mr. Russell, man of business, organizer of the Irish Agricultural Organization Society. The talk was now of the erection of a hall, and Mr. Russell seemed as familiar with stone and lime and sand as with mysticism and poetry, which we had discussed, and with painting, which we were considering in a few minutes, when Mr. J.B. Yeats, Jr., arrived, to talk over an exhibition of his pictures to be held in Dublin the following week. A few days later I was reading Mr. Russell's review of Mr. Yeats's pictures, but before I left 22, Lincoln Place, I had a mental picture of "art critic" added to the already long list of titles after "A.E.'s" name, and I had still another evidence of his impressiveness. Mr. J.B. Yeats, Sr., his son said, would be around to have Mr. Russell sit for him next morning, in order to get on with the two orders he had of portraits of the mystic, one of them from an admirer in America. It was pleasant on leaving him to go away with his laugh ringing in my ears as a surety that the high seriousness of his purpose, and the higher seriousness with which some of his admirers take him, had not dulled his sense of humor.

Irish Plays and Playwrights — Part 64