If, however, there was something about the fair Frenchwoman that held in awe the spirit of girlish impertinence, chance soon bestowed upon them, in the shape of a new pupil, an object which called forth all their worst qualities, without stint and without impediment.

The poor child who was destined to become their victim, was a short, squat figure, somewhere about nine or ten years of age; awkward in her carriage, plain in her features, ill-dressed and over-dressed. She happened to arrive at the same time with the French dancing-master, a marquis of the _ancien régime_, of whom I am sorry to say, that he seemed so at home in his Terpsichorean vocation, that no one could hardly fancy him fit for any other. (Were not _les marquis_ of the old French comedy very much like dancing-masters? I am sure Molière thought so.) At the same time with the French dancing-master did our new fellow-pupil arrive, led into the room by her father; he did not stay five minutes, but that time was long enough to strike Monsieur with a horror evinced by a series of shrugs which soon rendered the dislike reciprocal. I never saw such a contrast between two men. The Frenchman was slim, and long, and pale; and allowing always for the dancing-master air, which in my secret soul I thought never could be allowed for, he might be called elegant. The Englishman was the beau ideal of a John Bull, portentous in size, broad, and red of visage; loud of tongue, and heavy in step; he shook the room as he strode, and made the walls echo when he spoke. I rather liked the man, there was so much character about him, and in spite of the coarseness, so much that was bold and hearty. Monsieur shrugged to be sure, but he seemed likely to run away, especially when the stranger's first words conveyed an injunction to the lady of the house "to take care that no grinning Frenchman had the ordering of his Betsy's feet. If she must learn to dance, let her be taught by an honest Englishman." After which declaration, kissing the little girl very tenderly, the astounding papa took his departure.

Harper's New Monthly Magazine, No. 22, March, 1852, Volume 4. — Part 159

Poor Betsy! there she sat, the tears trickling down her cheeks, little comforted by the kind notice of the governess and the English teacher, and apparently insensible to the silent scorn of her new companions. For my own part, I entertained toward her much of that pity which results from recent experience of the same sort of distress--

Harper's New Monthly Magazine, No. 22, March, 1852, Volume 4. — Part 159