Thus far the process has been entirely one of cleansing or of freeing from impurities. The next step is that of cutting the leaves into fine particles in order to adapt the tobacco for cigarettes. The scattered leaves are first collected and subjected to powerful hydraulic pressure, from which they come out looking for all the world like a pile of snuff-colored brick. The moulded tobacco next goes to the cutting machine, falling from thence into a sieve, the meshes of which pass only such pieces as have been reduced to the proper size. The remainder is passed into a hopper, and thence goes for a second cutting. One step more, and the tobacco will be issued to the "rollers." Some half a dozen Chinese enter the room, each carrying with him a small vessel containing an aromatic liquid, with which the loose tobacco is carefully sprinkled. The preparation of this liquid is not known. It is doubtless the desire to keep it secret that leads to the preference of Chinese over native labor.
Before following the tobacco furher, let us look at the remaining portion of the cigarette, the wrapper. The original envelope for the tobacco was doubtless composed of leaves, the followers of Columbus carrying back to Spain accounts of the strange custom existing among the natives of San Salvador, the smoking of tobacco wrapped in the leaves of the palm, which was doubtless the primitive cigarette. In France to this day new straws are much used, but generally paper has become the popular envelope. This paper must be specially manufactured. Most of it comes from Barcelona, where the making of cigarette paper constitutes an important industry. All of that used at the "Honoradez" factory, after inspection, is carefully stamped with the name "Susini." By unrolling any of this brand of cigarettes this mark can be readily seen, and serves as the readiest means of detecting counterfeits. A portion of the paper is sprinkled with various preparations to give to it the flavor of tea, licorice, or such other taste as may suit certain consumers. This explains the variation in the color of the wrapper, which is sometimes straw-color, sometimes brown, but more usually white, the latter color distinguishing the paper which has not been artificially flavored. In the cutting machine the paper is rapidly converted into the proper size for envelopes, while another machine close at hand is turning out little bits of pasteboard for such of the cigarettes as are to be made with a mouthpiece.