Having made good his position, John's first move apparently was in the interest of his kinsman, for whom he secured the position of falconer in the ducal household. As we have no further concern with this member of the Van Eyck family, it may be said that in 1436 he was employed by the Duke on a secret mission of some importance, that on the occasion of his marriage in 1444 to the daughter of the master-falconer Philip made him a present of 100_l._, and that in 1461 he became baillie of the town and territory of Termonde, continuing in that office, with the additional distinctions of councillor and chamberlain to the Duke, besides a knighthood, until his death in November 1466.

The new court painter was something more than a master of his art: a man evidently of sterling qualities of mind and heart, of wide accomplishments and business capacity--in every way _persona grata_ at the most brilliant court of the age. Not many months after his appointment he removed to Lille by order and at the expense of the Duke, by whom also was paid the rent of the house he occupied there from 1426 to 1428, from midsummer to midsummer. Of his professional work at this period nothing is known. The chroniclers in the Duke's service did not concern themselves with such minor matters. As De Comines himself boasted, they wrote "not for the amusement of brutes and people of low degree, but for princes and other persons of quality," little bethinking themselves what store the after ages would have set by their gossip had it busied itself with the doings, for example, of court painters. In other respects, however, we are better served, and in the early part of 1426 we find John van Eyck commissioned, after the pious custom of the time, to undertake a pilgrimage in the interest of the ducal health, and in August of the same year despatched on some distant foreign mission. His return was saddened by tidings of the death of his brother Hubert, who had passed away in his absence. Further tokens of the ducal favour in 1427 took the form of presents of 20_l._ and 100_l._ respectively.

Van Eyck — Part 12

Duke Philip's matrimonial ventures hitherto had not been crowned with success. Neither his first wife, Michelle of France, nor Bonne of Artois, whom he wedded and lost within the ten months (she died in September 1425), had provided him with an heir. Anxious to secure the succession in the direct line, towards the middle of 1427 he despatched ambassadors to the court of Alphonsus V., King of Aragon, to obtain for him the hand of Isabella, eldest daughter of James II., Count of Urgel, and John van Eyck was attached to the mission. Arriving at Barcelona in July, only to find that the earthquakes in Catalonia had driven the Court to escape by sea to Valencia, the embassy followed in the royal track and reached this city early in August, in time for the floral games and bull-fight with which the Jurats honoured the King. The mission led to nothing, not even to a portrait of the princess, who in September 1428 was married to Peter, Duke of Coimbra, third son of John I., King of Portugal; but it is interesting to find Alphonsus V. in later years acquiring paintings by Van Eyck for his collection. The return journey included a short halt at Tournay, where the magistrates very appropriately paid Van Eyck the compliment of a wine of honour on the 18th of October, St. Luke's Day, the local guild, moreover--Robert Campin, Roger de la Pasture, and James Daret doubtless distinguished among its members--being favoured with his company in the celebration of the feast of its patron saint. A like wine of honour was presented to the ambassadors on the 20th.

Van Eyck — Part 12