"This is, I think, all the information, in answer to your request, that I am competent to give you.
"Yours respectfully, "WILLIAM BATCHELDER GREENE."
In a note addressed to the New England Historical and Genealogical Society, the poet says: "On my mother's side my grandfather was Joseph Hussey, of Somersworth, N. H.; married Mercy Evans, of Berwick, Me."
Some of the genealogical links connecting the Husseys of Somersworth with those of Hampton have not yet been recovered. But this much is known of the family,[6] that in 1630 Christopher Hussey came from Dorking, Surrey, England, to Lynn, Mass. He had married, in Holland, Theodate, the daughter of the Rev. Stephen Bachiler, a Puritan minister, who had fled to that country to avoid persecution in England. The author was told by a local antiquary in Hampton, N. H., that there is a tradition in the town that Stephen Bachiler would not let his daughter marry young Hussey unless he embraced the Puritan faith. His love was so great that he consented, and came with his bride to America, where two years later his father-in-law followed him. Stephen Bachiler came to Lynn in 1632, with six persons, his relatives and friends, who had belonged to his church in Holland, and with them he established a little independent church in Lynn. The progenitive faculty of this worthy divine must have been highly developed: he was married four times, and was dismissed from his church at Lynn on account of charges twice preferred against him by women of his congregation. The recorded dates show that both he and his son-in-law, Hussey, came to Hampton in the year 1639. The Hampton authorities had the previous year made Mr. Bachiler and Mr. Hussey each a grant of three hundred acres of land, to induce them to settle there. When and how the Husseys became Quakers is not known to the author. But in Savage's Genealogical Dictionary, II. 507, it is recorded that as early as 1688 a certain John Hussey of Hampton was a preacher to the Quakers in Newcastle, Del. The mother of the poet was a devoted disciple of the Society of Friends. That she was a person of deep and tender religious nature is evident to one looking at the excellent oil-portrait of her which hangs in the little parlor at Amesbury. The head is inclined graciously to one side, and the face wears that expression of ineffable tranquillity which is always a witness to generations of Quaker ancestry. In the picture, her garments are of smooth and immaculate drab. The poet once remarked to the writer that one of the reasons why his mother removed to Amesbury, in 1840, was that she might be near the little Friends' "Meeting" in that town.