Certain results of his travel were pleasing to his sovereign, however. For he was the first person to import to England "gloves, sweete bagges, a perfumed leather Jerkin, and other pleasant things."[143] The Queen was so proud of his present of a pair of perfumed gloves, trimmed with "foure Tufts or Roses of coloured Silk" that she was "pictured with those Gloves upon her hands, and for many yeeres after, it was called the Earle of Oxford's perfume."[144] His own foreign and fashionable apparel was ridiculed by Gabriel Harvey, in the much-quoted description of an Italianate Englishman, beginning:

"A little apish hat couched faste to the pate, like an oyster."[145]

English Travellers of the Renaissance — Part 32

Arthur Hall and the Earl of Oxford will perhaps serve to show that many young men pointed out as having returned the worse for their liberty to see the world, were those who would have been very poor props to society had they never left their native land. Weak and vain striplings of entirely English growth escaped the comment attracted by a sinner with strange garments and new oaths. For in those garments themselves lay an offence to the commonwealth. I need only refer to the well-known jealousy, among English haberdashers and milliners, of the superior craft of Continental workmen, behind whom English weavers lagged: Henry the Eighth used to have to wear hose cut out of pieces of cloth--on that leg of which he was so proud--unless "by great chance there came a paire of Spanish silke stockings from Spaine."[146] Knit worsted stockings were not made in England till 1554, when an apprentice "chanced to see a pair of knit worsted stockings in the lodging of an Italian merchant that came from Mantua."[147] Harrison's description of England breathes an animosity to foreign clothes, plainly founded on commercial jealousy: "Neither was it ever merrier in England than when an Englishman was known abroad by his own cloth, and contented himself at home with his fine carsey hosen, and a mean slop: his coat, gown, and cloak of brown, blue, or puke, with some pretty furniture of velvet or of fur, and a doublet of sad tawny, or black velvet, or other comely silk, without such cuts and garish colours, as are worn in these days, and never brought in but by the consent of the French, who think themselves the gayest men when they have most diversities of rags and change of colours about them."[148]

English Travellers of the Renaissance — Part 32