The Dial was an American magazine published intermittently from 1840 to 1929. In its first form, from 1840 to 1844, it served as the chief publication of the Transcendentalists. From the 1880s to 1919 it was revived as a political review and literary criticism magazine. From 1920 to 1929 it was an influential outlet for modernist literature in English.
Transcendentalist journal
Members of the Hedge Club began talks for creating a vehicle for their essays and reviews in philosophy and religion in October 1839. Other influential journals, including the North American Review and the Christian Examiner refused to accept their work for publication. Orestes Brownson proposed utilizing his recently established periodical Boston Quarterly Review but members of the club decided a new publication was a better solution. Frederick Henry Hedge, Theodore Parker, and Ralph Waldo Emerson were originally considered for the editor role. On October 20, 1839, Margaret Fuller officially accepted the editorship, though she was unable to begin work on the publication until the first week of 1840. George Ripley served as the managing editor. Its first issue was published in July 1840 with an introduction by Emerson calling it a "Journal in a new spirit". In this first form, the magazine remained in publication until 1844. Emerson wrote to Fuller on August 4, 1840, of his ambitions for the magazine:
The title of the journal, which was suggested by Amos Bronson Alcott, intended to evoke a sundial. The connotations of the image were expanded upon by Emerson in concluding his editorial introduction to the journal's first issue:
The Dial was heavily criticized, even by Transcendentalists. Ripley said, "They had expected hoofs and horns while it proved as gentle as any sucking dove". The journal was never financially stable. In 1843, Elizabeth Peabody, acting as business manager, noted that the journal's income was not covering the cost of printing and that subscriptions totaled just over two hundred. It ceased publication in April 1844. Horace Greeley, in the May 25 issue of the New-York Weekly Tribune, reported it as an end to the "most original and thoughtful periodical ever published in this country".
Political review and literary criticism magazine
After a one-year revival in 1860, the third incarnation of The Dial, this time as a journal of both politics and literary criticism, began publication in 1880. This version of the magazine was founded by Francis Fisher Browne in Chicago. Browne claimed it to be a legitimate offspring of Emerson and Fuller's Dial. Browne would serve as its editor for over three decades. He envisioned his new literary journal in the genteel tradition of its predecessor, containing book reviews, articles about current trends in the sciences and humanities, and politics, as well as long lists of current book titles. It was in this form that Margaret Anderson, soon to be founder of The Little Review, worked for the magazine. Although Chicago was a city reputedly indifferent to literary pursuits, The Dial attained national prominence, absorbing The Chap-Book in 1898.
Francis Browne died in 1913 after elevating the magazine by its unswerving standard in design and content. Control of the magazine shifted to his siblings, and under their control, the magazine lost prominence because they lacked the editing and managing abilities of Francis. In 1916, rather than continuing the failing magazine, the Browne family sold The Dial to Martyn Johnson, who "set the magazine on a liberal, even increasingly radical course in politics and the arts as well as in literature." Although The Dial was, at the time, a reputable magazine with a noted Midwestern influence, Johnson decided to move to New York in 1918 to distance the magazine from the Midwest and reconnect with the city because many of the magazine's new editors had connections there. Johnson's Dial soon encountered financial problems, but future editor Scofield Thayer, heir to a New England wool fortune, invested in the magazine. During this time, Thayer met Randolph Bourne, a contributing editor to The Dial. Bourne's steadfast pacifism and aesthetic views of art inspired Thayer who reflected these philosophies in his life. After contributing to The Dial and sinking large sums of money into the company, Thayer hoped for some editorial control of the magazine. Johnson, however, would not yield any responsibilities, causing Thayer to leave the magazine in 1918.