[Illustration: PAVILION IN COUNTRY GENTLEMAN'S GARDEN. _By Mrs. Archibald Little._]
There sit two Chinamen, with dark-purple silk outer jackets and long, glowing blue undergowns. They sit on each side of a little square black table, with their long pipes; behind them the sun slants across the latticed paper window, a branch of Virginia creeper, already yellow, pushing in through it. It needs not the addition of the cream-coloured pot with its chrysanthemums planted well to the front of it, as they all are, and on the usual slant. Without that bit of autumn colouring behind them, there is already an autumn picture,--men past their prime soothing the evening of their day in life with the pipe, all nature attuned with its vivid fast-fleeting sunshine and its orange-yellow leaves. In another pavilion sits one of those gorgeous creatures who always recall the braveries of Sir Walter Scott's descriptions, but who are hardly now to be seen out of China: his big loose jacket, of brocaded golden satin, stiff and shimmering: his long gown, only less brilliant, of violet satin. A gnarled and knotted root served there as stand for a flower-pot, artificial streamlets meandering round the pavilion. In the pavement was a stork in white, all formed of little broken bits of tile. The lights and shades were so entrancing, it was difficult to think of ever doing anything in these picturesque retreats, which immediately suggest the Chinaman's ideal--elegant leisure--and furnish most pleasant places to sit and _meditate_, as one might say, but in reality probably idly to watch the sunlight glorify this tint and soften that.
Without the sunshine it is a different affair. The patterns in the walls, in the fine pebble pavement, are still as complex, the triangles in the latter still as cunningly arranged, the doorways as surprising. There are still the same China drums of soft blue-green and green-blue for garden-seats, and great egg-green vessels for rain-water, as they say "very clear." But it all looks like a theatrical stage by daylight. Even the row of changeable roses by the water, which is really not so clear as it might be, looks uncomfortably pink beneath a grey rain-sky. Only the hoarfrost-resisting flower, as the Chinese call the chrysanthemum, is undimmed, the Chinamen's coats as gay. Whilst Chinese ladies totter as gracefully--or ungracefully--as before, with highly painted cheeks, gay garments, long elaborate earrings, beringed and bebraceleted with soft pure gold unalloyed.