He threw a blanket over the box on the bed and started to the door.

Michael moved round the corner of the house. He heard Potch call sleepily:

The Black Opal — Part 25

"Oh, go to sleep, can't you? Aren't you asleep yet?"

The Black Opal — Part 25

Potch murmured, and there was silence again.

The Black Opal — Part 25

Michael heard Charley go to the door, look out along the road, and turn back into the hut. Then Michael moved along the wall to the window.

Charley was taking down some clothes hanging from nails along the inner wall. He changed from the clothes he had on into them, picked up his hat, lying where he had thrown it on the floor beside the bed when he came in, rolled it up, straightened the brim and dinged the crown to his liking. Then he picked up the packet of opal, put it in his coat pocket, and went into the other room. Michael followed to the window which gave on it. He saw Charley glance at the sofa as though he were contemplating a stretch, but, thinking better of it, he settled into an easy, bag-bottomed old chair by the table, pulled a newspaper to him, and began to read by the guttering light of his candle.

Michael guessed why Charley had dressed, and why he had chosen to sit and read rather than go to sleep. It was nearly morning, the first chill of dawn in the air. The coach left at seven o'clock, and Charley meant to catch the coach. He had no intention of going to Warria. Michael began to get a bird's-eye view of the situation. He wondered whether Charley had ever intended going to Warria. He realised Charley would go off with the five pound note he had made him, Michael, get from Watty Frost, as well as with Paul's opals. He began, to see clearly what that would mean, too--Charley's getting away with Paul's opals. Paul would not be able to take Sophie away....

In the branches of a shrub nearby, a white-tail was crying plaintively: "Sweet pretty creature! Sweet pretty creature!" Michael remembered how it had cried like that on the day of Mrs. Rouminof s funeral.

Whether to go into the hut, tell Charley he knew what he had done, and demand the return of the opals, or let him get away with them, Michael had not decided, when Charley's hand went to his pocket, and, as it closed over the package of opals, a smile of infantile satisfaction flitted across his face. That smile, criminal in its treachery, enraged Michael more than the deed itself. The candle Charley had been reading by guttered out. He stumbled about the room looking for another. After a while, as if he could not find one, he went back to his chair and settled into it. The room fell into darkness, lit only by the dim pane of the window by which Michael was standing.