Also, of course, there were the highwaymen.

“So down thy hill, romantic Ashbourne, glides The Derby Dilly, carrying three insides. One in each corner sits and lolls at ease, With folded arms, propt back, and outstretched knees; While the press’d Bodkin, pinch’d and squeezed to death, Sweats in the mid-most place, and scolds, and pants for breath.”

Carriages & Coaches — Part 109

“In the year 1790,” wrote Mr. William Felton in an account of the carriages of his day, “the art of Coach-building had been in a gradual state of improvement for half a century past, and had now arrived at a very high degree of perfection, with respect to the beauty, strength, and elegance of our English carriages.” And the most cursory glance at his carefully compiled, if technical book, is evidence enough of the truth of his statement. At this time, indeed, the old flamboyant ornamentation had all but disappeared from the carriages, which were in process of taking on the appearance they largely retain to this day. Most vehicles, it is true, were still hung far higher than those of the nineteenth century—a fact due to the curious, though mistaken, belief, “that a high and short load possessed some mysterious property which made it easier to draw than a long one,” but new principles were being adopted as the result of careful experiments. Prizes were offered by learned societies, and won. Men like Dr. Lovell Edgeworth, who had been experimenting so early as 1768, and had shown that springs—then but little understood—were at least as advantageous to the horses as to the passengers, were at work. But it was only in 1804, when Mr. Obadiah Elliott produced his patent elliptic springs, which rendered unnecessary the old heavy perch, that a definite period in the art of coach-building was clearly marked. Thenceforth the older, cumbrous machines disappeared from the roads and made way for the lighter and more comfortable carriages which were to be seen at the time of Queen Victoria’s accession.

Carriages & Coaches — Part 109

The question of the roads, too, was receiving the attention of experts. Anstice and Edgeworth published the results of their investigations, but were both completely overshadowed by James M’Adam, who about 1810 started those metal roads which have proved so wonderfully successful. Before his time gravel and the like had formed the basis of road-material; M’Adam used granite and other allied substances, and produced such a surface as had not been seen since the Romans had constructed their vast highways hundreds of years before.

Carriages & Coaches — Part 109