She resented, as a patriotic American woman of culture and refinement, that the so-called “exclusive” circles in the American quarter accepted some of the families who would not occupy conspicuous positions in their own free and enlightened country. She could not help comparing certain wealthy young society women with a clever but poor friend of hers, whose artistic talent had been recognized by her own warm-hearted Southern townspeople, who had contributed a sufficient sum to send Miss Paterson abroad, confident that her brush would one day repay them. The two young women had met at the studio of a common friend, and Miss Cameron, who professed to know nothing of art, had asked such intelligent questions of the young student that Miss Paterson, with a woman’s quick intuition, had surmised that her fashionable countrywoman had a more artistic nature than she admitted. A friendship was begun, and Katherine Cameron became the _confidante_ and admirer of the rising young artist.
Just now she has returned from a musicale at the hotel of one of the famous teachers, and she is describing it to Miss Paterson, who has come in for a chat and a quiet cup of tea.
“It makes me so indignant,” she is saying, “when I think what an impression we must make on intelligent French people. Why this afternoon, at Madame de la Harpe’s, it was simply one medley of disputing mothers and jealous pupils. Madame herself is so distinctly a lady, that when two irate mothers appealed to her as to which of their daughters should sing _first_, she shrugged her shoulders in true French fashion and said, ‘They will both sing many times; they will sing so well that it will be doubtless required’—a diplomatic answer! She knew her audience, and felt that a programme of twenty-three numbers could not admit of many encores in one afternoon. I noticed she did not deviate from the original plan. Then that vulgar Mrs. Booth, from somewhere out west, who has the gorgeous apartment, and the family of extremely pretty daughters, asked me if I would join their French class. ‘We have an actor, M. de Valle, to teach us,’ she said, ‘he is just splendid—so handsome and so polite; only he will make us _congregate_ verbs.’ To my horror, Mr. Vincent, of the English Embassy, who is so coldly critical of everything American, overheard her, and I saw him trying to suppress a smile, which made me indignant, so I impulsively replied, ‘I shall be charmed, Mrs. Booth—so kind of you to ask me.’ And now I shall have to extricate myself from that situation, for, although I have a certain appreciation of the ludicrous, I cannot sacrifice one night of every week, even to show Mr. Vincent that I despise his criticism.”