[Footnote 7: _Most beauteous mate._--Ver. 47. Clarke translates 'nitidissima conjux,' 'the neatest cow.']

[Footnote 8: _Recourse to my arts._--Ver. 62. 'Devertor ad artes,' is rendered by Clarke, 'I fly to my tricks.']

The Metamorphoses of Ovid — Part 44

[Footnote 9: _To conquer serpents._--Ver. 67. Hercules, while an infant in his cradle, was said to have strangled two serpents, which Juno sent for the purpose of destroying him.]

The Metamorphoses of Ovid — Part 44

[Footnote 10: _Hundred in number._--Ver. 71. The number of heads of the Hydra varies in the accounts given by different writers. Seven, nine, fifty, and a hundred are the numbers mentioned. This, however, is not surprising, as we are told that where one was cut off, two sprang up in their place, until Hercules, to prevent such consequences, adopted the precaution of searing the neck, where the head had been cut off, with a red hot iron.]

The Metamorphoses of Ovid — Part 44

The river Acheloüs, which ran between Acarnania and Ætolia, often did considerable damage to those countries by its inundations, and, at the same time, by confounding or sweeping away the limits which separated those nations, it engaged them in continual warfare with each other. Hercules, who seems really to have been a person of great scientific skill, which he was ever ready to employ for the service of his fellow men, raised banks to it, and made its course so uniform and straight, that he was the means of establishing perpetual peace between these adjoining nations.

The early authors who recorded these events have narrated them under a thick and almost impenetrable veil of fiction. They say that Hercules engaged in combat with the God of that river, who immediately transformed himself into a serpent, by which was probably meant merely the serpentine windings of its course. Next they say, that the God changed himself into a bull, under which allegorical form they refer to the rapid and impetuous overflowing of its banks, ever rushing onwards, bearing down everything in its course, and leaving traces of its ravages throughout the country in its vicinity. This mode of description the more readily occurred to them in the case of Acheloüs, as from the roaring noise which they often make in their course, rivers in general were frequently represented under the figure of a bull, and, of course, as wearing horns, the great instruments of the havoc which they created.