[Illustration: SPECIMEN OF EGYPTIAN HIEROGLYPHICS.]
To enable the reader to obtain a clearer idea of the nature of this discovery, we give on the adjoining page some specimens of Egyptian inscriptions found in various parts of the country, and which are interpreted to express the name Cleopatra, a very common name for princesses of the royal line in Egypt during the dynasty of the Ptolemy's. We mark the various figures forming the inscription, with the letters which modern interpreters have assigned to them. It will be seen that they all spell, rudely indeed, but yet tolerably distinctly, the name CLEOPATRA.
By a careful examination of these specimens, it will be seen that the order of placing the letters, if such hieroglyphical characters can be so called, is not regular, and the letter _a_, which is denoted by a bird in some of the specimens, is represented differently in others. There are also two characters at the close of each inscription which are not represented by any letter, the one being of the form of an egg, and the other a semicircle. These last are supposed to denote the sex of the sovereign whose name they are connected with, as they are found in many cases in inscriptions commemorative of princesses and queens. They are accordingly specimens of _symbolic_ characters, while all the others in the name are phonetic.
It seems therefore not improbable that the principle of forming a written language by means of characters representing the sounds of which the words of the spoken language are composed, was of Egyptian origin; and that it was carried in very early times to the countries on the eastern shore of the Mediterranean sea, and there improved upon by the adoption of a class of characters more simple than the hieroglyphics of Egypt, and of a form more convenient for a regular linear arrangement in writing. Moses, who spent his early life in Egypt, and who was said to be learned in all the wisdom of the Egyptians, may have acquired the art of writing there.
However this may be, and whatever may be the uncertainty which hangs over the early history of this art, one thing is certain, and that is, that the discovery of the art of writing, including that of printing, which is only the consummation and perfection of it,--the art by which man can record language, and give life and power to the record to speak to the eye permanently and forever--to go to every nation--to address itself simultaneously to millions of minds, and to endure through all time, is by far the greatest discovery, in respect to the enlargement which it makes of human powers, that has ever been made.