CHEEVER, JOHN. “Clancy in the Tower of Babel”, ss in _The Enormous Radio_, Funk 1953, pbr Berkley 1958, (m).

+ CHRISTIAN, PAULA. _The Edge of Twilight._ pbo Crest 1959. Airline stewardess Val, in an alcoholic haze, allows herself to make love to a young girl friend, Toni. Fearing her own response to this “abnormal” love, she redoubles her promiscuous sleeping-around, but the girls end up together. The treatment, though sensational, is honest and constructive; the book will win no literary prizes, but whatever the reader’s sympathies and prejudices, he will approve the stand that happy adjustment to love and affection—even homosexual—is a more constructive solution than promiscuity. Very good of its kind.

Checklist — Part 15

CHRISTIE, AGATHA. _A Murder is Announced._ Dodd, Mead 1950, fco. Suspects include a pair of problematical lesbians.

Checklist — Part 15

CLARK, DORENE. _The Exotic Affair._ Magnet Books, 1959, scv. “I really think this one should be Maggot Books,” wrote my reviewer. “One of those fastmoving sloppy jobs where two men and two women on an exotic cruise complete with mis-spelled and misapplied foreign phrases spend most of their time trying all of the printable and some of the unprintable variations on an old old theme. All sex and no sentiment makes Jack and Jill sickening (and the reviewer sick) or, for that matter, Jack and Jack or Jill and Jill.”

Checklist — Part 15

+ CLAYTON, JOHN. _Dew in April._ Kendall & Sharpe, 1935. Romance of the Middle Ages, laid in the Convent of St. Lazarus of the Butterflies. Dolores, a homeless vagabond, is given shelter by Mother Leonor, a mystic, repressed, white-hot and deeply tender woman whose passionate emotional attachments to her young novices are never explicit but pervade the entire book. Much of the story is concerned with a subtle, sweet and innocently sensual blossoming of adolescent emotions into homo-erotic form under the pressures of convent life; the interplay of delicate love relationships between Dolores, Mother Leonor, and the young novices Dezirada and Clarisse, and their fluctuation between despair, self-sacrifice and compassionate love when Dolores finds a knightly lover, Pedro, is probably unmatched in studies of feminine variance.

_Gold of Toulouse._ Kendall & Sharpe, 1935. Sequel to _Dew in April_, but laid chronologically six or seven years earlier. Though mostly concerned with the adventures of Don Marcos, the Spanish knight, it also tells the story of Leonor, and shows the beginning of her relationship with Dezirada.