The _Globe_ company of about ten actors, Burbage, Heminge, Condell, Field and the rest, were entering by ones and twos, with the boys who played women's parts: last of all, the orchestra of ten performers, the largest in London, dawdled in, and took up their instruments--chiefly drums and trumpets. The rehearsal commenced--the play of _Hamlet_, with Burbage in the title-rôle. Shakespeare, though necessarily present, paid but little attention to the business in hand. In studied and self-conscious acting he had no interest whatsoever. His theory was the same as Ben Jonson's, that a man should act "freely, carelessly, and capriciously, as if one's veins ran with quicksilver, and not utter a phrase but shall come forth in the very brine of conceit, and sparkle like salt in fire." But this was too high a criterion to impose upon his company. He therefore left them chiefly to their own devices, under the capable management of Burbage, and remained himself in the tiring-room, employed upon his usual morning's avocation, revising and revivifying old "stock" plays, and considering fresh MSS., which arrived in vast numbers--and accepting as much as he could. For he was incapable of jealousy: he "did his greatness easily," and was the kindest of friends, the most indulgent of critics, to would-be dramatic authors. His acquaintance with Ben Jonson had originated in "a remarkable piece of humanity and good-nature." Jonson, unknown and unaccredited, had offered a play to the theatre. "But the persons into whose hands it was put, after turning it carelessly and superficially over, were just upon returning it to him, with an ill-natured answer, that it would be of no service to their company, when Shakespeare luckily cast his eye upon it, and found something so well in it, as to encourage him to read it through, and afterwards to recommend Ben Jonson and his writings to the public." (Rowe) Similar experiences befell many a budding stage writer: Shakespeare's singular sweetness of disposition led him to be lavish of praise as of money. He was "always willing to touch up this man's play, or write in an act for that one." And of no other man did he utter a cruel or an injurious word. "A kinder gentleman treads not the earth," his intimates might have said of him, as he of Antonio.