“And would you be a poet Before you’ve been to school? Ah, well! I hardly thought you So absolute a fool. First learn to be spasmodic— A very simple rule.

“For first you write a sentence, And then you chop it small; Then mix the bits, and sort them out Just as they chance to fall: The order of the phrases makes No difference at all.

Phantasmagoria — Part 23

“Then, if you’d be impressive, Remember what I say, That abstract qualities begin With capitals alway: The True, the Good, the Beautiful— Those are the things that pay!

Phantasmagoria — Part 23

“Next, when you are describing A shape, or sound, or tint; Don’t state the matter plainly, But put it in a hint; And learn to look at all things With a sort of mental squint.”

Phantasmagoria — Part 23

“For instance, if I wished, Sir, Of mutton-pies to tell, Should I say ‘dreams of fleecy flocks Pent in a wheaten cell’?” “Why, yes,” the old man said: “that phrase Would answer very well.

“Then fourthly, there are epithets That suit with any word— As well as Harvey’s Reading Sauce With fish, or flesh, or bird— Of these, ‘wild,’ ‘lonely,’ ‘weary,’ ‘strange,’ Are much to be preferred.”

“And will it do, O will it do To take them in a lump— As ‘the wild man went his weary way To a strange and lonely pump’?” “Nay, nay! You must not hastily To such conclusions jump.

[Picture: The wild man went his weary way]

“Such epithets, like pepper, Give zest to what you write; And, if you strew them sparely, They whet the appetite: But if you lay them on too thick, You spoil the matter quite!

“Last, as to the arrangement: Your reader, you should show him, Must take what information he Can get, and look for no im- mature disclosure of the drift And purpose of your poem.

“Therefore, to test his patience— How much he can endure— Mention no places, names, or dates, And evermore be sure Throughout the poem to be found Consistently obscure.

“First fix upon the limit To which it shall extend: Then fill it up with ‘Padding’ (Beg some of any friend): Your great SENSATION-STANZA You place towards the end.”

“And what is a Sensation, Grandfather, tell me, pray? I think I never heard the word So used before to-day: Be kind enough to mention one ‘_Exempli gratiâ_.’”

And the old man, looking sadly Across the garden-lawn, Where here and there a dew-drop Yet glittered in the dawn, Said “Go to the Adelphi, And see the ‘Colleen Bawn.’