This appears to us to be the meaning of Pope's eulogy; and if it but unfolds the hints of Dryden's, it unfolds them, be it said, uninvidiously, something after the fashion in which Shakspeare himself unfolded the hints which he found in old books, of plots and personages; that is to say, originally, creatively, with quite independent power; and certainly with no deterioration to the matter. Pope goes on to admit faults. We must here dissent as to facts and opinions, and must qualify.
"It must be owned, that with all these great excellences, he has almost as great defects: and that as he has certainly written better, so he has perhaps written worse than any other. But I think I can in some measure account for these defects, from several causes and accidents; without which it is hard to imagine that so large and so enlightened a mind could ever have been susceptible of them. That all these contingencies should unite to his disadvantage seems to me almost as singularly unlucky, as that so many various, nay, contrary talents should meet in one man, was happy and extraordinary.
"It must be allowed that stage-poetry, of all other, is more particularly levelled to please the _populace_, and its success more immediately depending upon the _common suffrage_. One cannot therefore wonder, if Shakspeare having at his first appearance no other aim in his writings than to procure a subsistence, directed his endeavours solely to hit the taste and humour that then prevailed. The audience was generally composed of the meaner sort of people, and therefore the images of life were to be drawn from those of their own rank; accordingly we find, that not our author's only, but almost all the old comedies have their scene among _tradesmen_ and _mechanics_; and even their historical plays strictly follow the common _old stories_ or _vulgar traditions_ of that kind of people. In tragedy, nothing was so sure to _surprise_ and cause _admiration_, as the most strange, unexpected, and consequently most unnatural, events and incidents; the most exaggerated thoughts; the most verbose and bombast expression; the most pompous rhymes, and thundering versification. In comedy, nothing was so sure to _please_ as mean buffoonery, vile ribaldry, and unmannerly jests of fools and clowns. Yet even in these, our author's wit buoys up, and is borne above his subject; his genius in those low parts is like some prince of a romance in the disguise of a shepherd or peasant; a certain greatness and spirit now and then break out, which manifest his higher extraction and qualities.