God B is the deity who appears most frequently in the manuscripts. He has a long, truncated nose, like that of a tapir, and we find in him every sign of a god of the elements. He walks the waters, wields fiery torches, and seats himself on the cruciform tree of the four winds which appears so frequently in American myth. He is evidently a culture-god or hero, as he is seen planting maize, carrying tools, and going on a journey, a fact which establishes his solar connection. He is, in fact, Kukulcan or Quetzalcoatl, and on examining him we feel that at least there can be no doubt concerning his identity.
Concerning god C matter is lacking, but he is evidently a god of the pole-star, as in one of the codices he is surrounded by planetary signs and wears a nimbus of rays.
God D is almost certainly a moon-god. He is represented as an aged man, with sunken cheeks and wrinkled forehead on which hangs the sign for night. His hieroglyph is surrounded by dots, to represent a starry sky, and is followed by the number 20, to show the duration of the moon. Like most moon deities he is connected with birth, for occasionally he wears the snail, symbol of parturition, on his head. It is probable that he is Itzamna, one of the greatest of Maya gods, who was regarded as the universal life-giver, and was probably of very ancient origin.
God E is another deity whom we have no difficulty in identifying. He wears the leafed ear of maize as his head-dress. In fact, his head has been evolved out of the conventional drawings of the ear of maize, so we may say at once without any difficulty that he is a maize-god pure and simple, and a parallel with the Aztec maize-god Centeotl. Brinton calls this god Ghanan, and Schellhas thinks he may be identical with a deity Yum Kaax, whose name means "Lord of the Harvest Fields."
A close resemblance can be noticed between gods F and A, and it is thought that the latter resembles the Aztec Xipe, the god of human sacrifice. He is adorned with the same black lines running over the face and body, typifying gaping death-wounds.
In G we may be sure that we have found a sun-god par excellence. His hieroglyph is the sun-sign, kin. But we must be careful not to confound him with deities like Quetzalcoatl or Kukulcan. He is, like the Mexican Totec, the sun itself, and not the Man of the Sun, the civilising agent, who leaves his bright abode to dwell with man and introduce him to the arts of cultured existence. He is the luminary himself, whose only acceptable food is human blood, and who must be fed full with this terrible fare or perish, dragging the world of men with him into a fathomless abyss of gloom. We need not be surprised, therefore, to see god G occasionally wearing the symbols of death.